Cressida Campbell
Brisbane: Philip Bacon Galleries, 2017.

Exhibition catalogue exhibiting at Mossgreen, Woollahra.

Christie’s; [Arthur Streeton]
[London]: Christie’s, [2012].

Catalogue for the sale of Arthur Streeton’s 1922 painting, Sydney Harbour (from the City), which was given as a gift to H.R.H. Princess Mary as a wedding gift, and then passed to George Lascelles, 7th Earl of Harewood, and auctioned by Christie’s following his passing.

John Shirlow
Melbourne: The Lytlewode Press, 2005.

Portfolio of ten etchings printed directly form Shirlow’s plates accompanied by an essay in letterpress by the publisher, Robert C. Littlewood, and a photographic frontispiece. The portfolio created by master Brisbane binder Fred Pohlmann in the style of Shirlow’s 1904 folio Five Etchings. Each etching titled in pencil and stamped with a facsimile signature. The etchings are of eight views of Melbourne, one of Sydney Harbour, and one of Hobart. Limited to 100 numbered copies signed by the publisher. This copy with the letterpress prospectus.

Katherine N. Simitian
Stoke-on-Trent: The Lytlewode Press, 2007.

Being a monograph dealing with the development of an Australian private press featuring eighty-nine etchings printed in the atelier of The Press. A short history of the Littlewood Press from 1996 to 2007 featuring original etchings printed at the Press editioned from its published works and commissioned artists including Sir Lionel Lindsay, Norman Lindsay, Derham Groves, Allan Jordan, Trish Hart, Tony Irving, Pro Hart, Andrew Sibley, Caitlin Littlewood, Robbie Harmsworth, Peter Jones, Marc Severin, and Leslie Tarrant. Bound in stingray, likely the first Australian publication using this skin, the natural white star of the skin forming a decorative emblem to the spine. The idea for this book originated in 1996 when the publisher undertook to print ten additional copies of every etching printed at the press with the intention of creating a history volume at a later date. A number of the etchings are ex libris bookplates. One of the finest Australian art publications, limited to just 10 copies, signed and numbered by the author and the publisher, 5 of which are housed in Australian institutions. This copy is number 10 and includes the original prospectus, The History of The Littlewood Press, featuring an additional Trish Hart etching and signed by the publisher, Robert Littlewood. Issued with 81 of the 89 listed etchings, and with 4 of the Pro Hart etchings supplied twice, making for a total of 85 etchings and photographic portrait of the publisher. The plates not included as per the checklist are: 10. Trish Hart: Nesting Gull; 34. Tony Irving: The Old Kiosk [Black]; 37. Tony Irving: Home Alone [Black]; 39. Tony Irving: Ramsen Place; 40. Tony Irving: Drewery Lane; 42. Tony Irving: Hosier Lane; 43. Tony Irving: Waratah Place; 44. Tony Irving: China Town. The four Pro Hart plates that are included in duplicate are: 45. Singers at the Southern Cross Hotel; 46. Miner’s Kids; 47. Yabbie Picnic; 48. Gethsemane. The plates not included do not appear to have been removed, but as in true Private Press fashion, the difference in actual issue to the stated intention differing as per the whim, requirement, or temperament of the publisher.

Lou Klepac; James Gleeson
Sydney: The Beagle Press, 1987.

One of the collector’s deluxe edition, limited to 100 copies, of which this is number 55, specially bound in leather and containing an umber lithograph, Comet II, limited to 50 signed and numbered copies, of which this is number 5. With an introduction by Lou Klepac. Inscribed by Gleeson on the half-title page to Geoffrey Walker.