Prices in AUD. Shipping worldwide. Flat rate $8 postage per order within Australia. International by weight calculated at checkout. Read full terms.
-
Kilimanjaro 12: Thinking of Collective
Hauser & Wirth; Roman Signer; Damo Suzuki
London: Kilimanjaro, 2011.“Kilimanjaro is a vibrant printed space dedicated to visual culture and editorial experimentation, and aims to generate an environment in which ideas reason with visual pleasure. Contributors stem from different art disciplines including film, fashion, photography and contemporary culture. Issue 12 features Hauser & Wirth, Roman Signer and Damo Suzuki.” (publisher’s blurb)
-
Printed Web #1
Paul Soullelis
New York: Library of the Printed Web, 2014.“Featuring new web-to-print work by Joachim Schmid, Penelope Umbrico, Mishka Henner, Clement Valla, David Horvitz, Chris Alexander, Christian Bök, Benjamin Shaykin, & and Paul Soulellis. Texts by Hito Steyerl and Kenneth Goldsmith.” (publisher’s blurb)
-
Media Works
Iain Baxter
Toronto: Art Metropole, 1992.“The Baxters’ relationship to media and issues of media exploded in 1965 as one of the conceivers of “The Medium Is The Message”, a multi-media extravaganza involving artists of all disciples as well as Marshall McLuhan. In 1966 they began a flood of projects in non-art media such as business cards, letterhead, buttons, and the founding of the N.E THING CO. LTD. It reflects Canadian identity in terms of bureaucracy and everyday life. All images are in black and white.” (publisher’s blurb)
-
Know Thy Instrument / A Lecture (AI Split Editions #1)
Bruce McClure; Hollis Frampton
Milan: Atelier Impopulaire, 2014.“Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns.” (publisher’s blurb)
-
Heath Course Pak
Tan Lin
Denver: Counterpath, 2012.“Like its predecessor, HEATH (plagiarism/outsource), Heath Course Pak exists somewhere between a Project Gutenberg version of Samuel Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger’s death. Sad, appropriated, lyrical and confused, the book contains a brief history of recent performance art, a legal defense of plagiarism, the diary of a poetry workshop at the Asian American Writer’s Workshop, an MP3 protest song, and an examination of SMS and GMS technologies as distribution networks for human sadness. Multi-authored, and with numerous text blocks and photos, the revised edition contains 52 pages of new material, an interview, an annotated text, autographed photos of Jackie Chan and Heath Ledger, e-PostIts, COAs, and coffee/tea stains.” (publisher’s blurb)
-
Compost Index
Gabriel Kuri
Amsterdam: Roma Publications, 2005.“Book about the work and thoughts of the Mexican artist Gabriel Kuri, published in co-production with CoNaCultA, with support from kurimanzutto, Mexico City and Franco Noero Gallery, Torino. Texts by Dieter Roelstraete, and Maxine Kopsa.” (publisher’s blurb)
-
YXICOOO
Yuko Kanatani
Tokyo: Disk Union, 2014. -
Sex and Horror: The Art of Emanuele Taglietti
Emanuele Taglietti
London: Korero Press, 2015.The first book in the Sex and Horror series. “A long overdue look at the famed fumetti work of Emanuele Taglietti: a legendary comic book cover artist known for his outrageous style. In the course of his career in the 1970s and ’80s, he painted more than 500 covers for adult comic books such as Zora la Vampira, Sukia, Mafia, and 44 Magnum, and became one of the most outstanding artists of the golden age of Italian comics. His iconic work, overflowing with violence and eroticism, is unforgettable. A must-have for comic book fans, artists and popular culture aficionados alike.” (publisher’s blurb)
-
Bare Essentials: The Best of Nude Magazine, 2003-2011
Ian Lowey; Suzy Prince
Manchester: Poke-in-the-Eye Publications, 2011.“Bare Essentials: The Best of Nude Magazine brings together many of the best articles published in the UK-based, internationally-distributed indie and counterculture magazine, Nude, during its seven year lifespan. This, together with five brand new features and a bonus 16 page insert. From lowbrow art to indie crafting, via street art, outsider art, comics, illustration, outre architecture, indie crafting, cult fiction, photography, indie and underground film, tiki, burlesque, designer toys, Steampunk, leftfield music… Nude magazine covered it all over the course of 17 colourful and fabulously eclectic issues. Within the 176 content-packed pages of Bare Essentials: the Best of Nude Magazine you’ll find lavishly-illustrated interviews with; Charles Burns, Jamie Reid, Daniel Johnston, James Cauty, James Jarvis, Alan Moore, John Waters, David Peace, Vince Ray, Trevor Brown, Jon Langford, Billy Childish, Dan Clowes, Darla Teagarden, Adam Green, Angelique Houtkamp, Molly Crabapple, Linder Sterling, Gemma Correll and Ben the Illustrator, as well as articles on: The Futuro House, British Horror Movies, Youth-Cult Classics, the Legendary Ace Cafe, UK Steampunk, Blythe Doll Portraits, Crocheted Comforts and Indie Comix. Not all of the best, but much of the best.” (publisher’s blurb)
-
Point #5
Performance Space
Sydney: Perfomance Space, 2012.Catalogue of performance and installation art curated by Performance Space. Includes butoh by Yumi Umiumare, Local Postion Systems featuring Julie-Anne Long, Jason Maling, Bennett Miller, Stuart Ringholt, Latai, Taumoepeau, Lara Thomas, and Walker & Bromwich, installations by Michaela Gleave, Robyn Backen, and more. The catalogue for Local Position Systems is laid in.
-
Bodies Without Surface
Katarina Vesterberg
Brisbane: Andrew Baker Art Dealer, 2012.Exhibition catalogue.
-
A Temporal View
Katarina Vesterberg
Brisbane: Andrew Baker Art Dealer, 2014.Exhibition catalogue.
-
Daemons and Deities
Deborah Walker
Brisbane: Andrew Baker Art Dealer, 2014.Exhibition catalogue.
-
Onchi Koshiro hangashu / Prints of Onchi Koshiro
Onchi Koshiro
Tokyo: Keishosha, 1975.A comprehensive collection of the printed works of Japanese artist Koshiro Onchi (1891-1955). Contains 424 illustrations, many in colour, a numbered original print, photograph of the artist, and various essays including an essay on Hanga by Onchi. This copy is number 27 in the limited overseas edition of 170 with the original numbered and stamped print. 380 copies were also produced in a domestic edition.
-
The Creative Directory to Australia 1982/83, 1983/84, 1985 (3 Volumes)
Creative Publications
Hong Kong: Creative Publications, 1983.The contact directory for Australian Creatives in the 1980s. Lists names, addresses, and phone numbers for individuals and agencies for any creative job from photographers, film production, and musicians, to model agencies, advertising, P.R., and more. Provided to Australia’s top advertiser’s these books were where to find creatives for industry gigs.
-
The Complete Works of Bome
Atsushi Suzuki
Osaka: Kaiyodo, 1995.Catalogue of anime-style figurines by Japanese sculptor Bome. Includes an interview and essays by Osamu Miyawaki and Noriaki Ikeda.
-
Joyride
Lincoln Austin
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
-
Thomas Kinkade: Heaven on Earth
Jeffrey Vallance
Santa Ana and San Francisco: Grand Central Press / Last Gasp, 2004.“Thomas Kinkade, known as the Painter of Light, has become one of the most avidly collected, financially successful, and controversial painters in history. In this book, author, performance artist and curator Jeffrey Vallance creates a multifaceted examination of Thomas Kinkade as an artist and cultural phenomenon.”
-
Kamano Man
Ruki Fame
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
-
Soiled/Weathered
Andrew Arnaoutopoilos
Brisbane: Institute of Modern Art, 2002.