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Wine, Women and Words
Billy Rose; Salvador Dali
New York: Simon & Schuster, 1948.The first trade paperback edition of Billy Rose’s autobiography with illustrations by Salvador Dali. This copy with 9 Rose related clippings laid in.
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Utopia: The Genius of Emily Kame Kngwarreye
Margo Neale; Emily Kngwarreye
Canberra: National Museum of Australia Press, 2008. -
A Cybernetic Romance
Laurence M. Gartel
Salt Lake City: Gibbs Smith, 1989.Monograph of digital artist Laurence Gartel (1956-) with works from 1979-89. Introduction by South Korean artist and founder of video art Nam June Paik.
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Teddy Candoval and the Butch Gardens School of Art
C. Ondine Chavoya; David Evans Frantz
Los Angeles, New York, Monterey Park & Williamstown: Inventory Press, Independent Curators International, Vincent Price Art Museum & Williams College Museum of Art, 2024.“Accompanying the artist’s first retrospective, this title examines the work of artist Teddy Sandoval. A central figure in Los Angeles’s queer and Chicanx artistic circles, for 25 years Sandoval produced subversive and playful artworks in a range of mediums that explored the codes of gender and sexuality, particularly transforming conceptions of masculinity.” (publisher’s blurb)
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John Shirlow: Ten Etchings
John Shirlow
Melbourne: The Lytlewode Press, 2005.Portfolio of ten etchings printed directly form Shirlow’s plates accompanied by an essay in letterpress by the publisher, Robert C. Littlewood, and a photographic frontispiece. The portfolio created by master Brisbane binder Fred Pohlmann in the style of Shirlow’s 1904 folio Five Etchings. Each etching titled in pencil and stamped with a facsimile signature. The etchings are of eight views of Melbourne, one of Sydney Harbour, and one of Hobart. Limited to 100 numbered copies signed by the publisher. This copy with the letterpress prospectus.
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Lusty Garlick Pearls Presenterer Pal LaRoid: Med Dame I Siktet
Lill-Ann Chepstow-Lusty; Merete Alfsen
Oslo: Pax Forslag, 1987.Artist photo book inspired by B-Grade Cinema, photo novels, pornography, and biography, telling the tale of Pal LaRoid, debauching and arting their way around Oslo, an artist persecuted and caught in the traps of feminists.
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Pierre Molinier: Die Fetische der Travestie: Fotografische Arbeiten, 1965-1975
Pierre Molinier; Gerhard Fischer; Peter Gorsen
Wien: Daedalus, 1989.Published on the occasion of an exhibition at Galerie Faber, Vienna, with 33 plates, essays by Pierre Molinier, Gerhard Fischer, and Peter Gorsen, and additional illustrations by Molinier. This copy with 4 additional Molinier items laid in: 1. An original silver gelatin photograph 10.2cm x 12.9cm, plate 49 of The Shaman, 1964, from a photograph by Theo Lesoual’ch of Emmanuelle Arsan retouched in ink by Molinier and rephotographed, captioned on the verso in pencil; 2. A black stocking with Molinier’s signature printed in gold from the 1996 Ubu Gallery, New York exhibition; 3. Invitation card for the Ubu Gallery exhibition; 4. Typescript letter with manuscript signature of Roger Borderie of C.L.S. Edition-Diffusion and publisher of the 1979 collection of Molinier’s Cent photographies erotiques, to Nicolas Hugent of Editions Filipacchi, dated 1986, regarding publication of a new Molinier work based on an interview with his daughter.
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The Littlewood Press
Katherine N. Simitian
Stoke-on-Trent: The Lytlewode Press, 2007.Being a monograph dealing with the development of an Australian private press featuring eighty-nine etchings printed in the atelier of The Press. A short history of the Littlewood Press from 1996 to 2007 featuring original etchings printed at the Press editioned from its published works and commissioned artists including Sir Lionel Lindsay, Norman Lindsay, Derham Groves, Allan Jordan, Trish Hart, Tony Irving, Pro Hart, Andrew Sibley, Caitlin Littlewood, Robbie Harmsworth, Peter Jones, Marc Severin, and Leslie Tarrant. Bound in stingray, likely the first Australian publication using this skin, the natural white star of the skin forming a decorative emblem to the spine. The idea for this book originated in 1996 when the publisher undertook to print ten additional copies of every etching printed at the press with the intention of creating a history volume at a later date. A number of the etchings are ex libris bookplates. One of the finest Australian art publications, limited to just 10 copies, signed and numbered by the author and the publisher, 5 of which are housed in Australian institutions. This copy is number 10 and includes the original prospectus, The History of The Littlewood Press, featuring an additional Trish Hart etching and signed by the publisher, Robert Littlewood. Issued with 81 of the 89 listed etchings, and with 4 of the Pro Hart etchings supplied twice, making for a total of 85 etchings and photographic portrait of the publisher. The plates not included as per the checklist are: 10. Trish Hart: Nesting Gull; 34. Tony Irving: The Old Kiosk [Black]; 37. Tony Irving: Home Alone [Black]; 39. Tony Irving: Ramsen Place; 40. Tony Irving: Drewery Lane; 42. Tony Irving: Hosier Lane; 43. Tony Irving: Waratah Place; 44. Tony Irving: China Town. The four Pro Hart plates that are included in duplicate are: 45. Singers at the Southern Cross Hotel; 46. Miner’s Kids; 47. Yabbie Picnic; 48. Gethsemane. The plates not included do not appear to have been removed, but as in true Private Press fashion, the difference in actual issue to the stated intention differing as per the whim, requirement, or temperament of the publisher.
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New York Nowhere: Meditations and Celebrations, Neurology Ward, The New York Hospital
Geoffrey Dutton; John Olsen
Melbourne: The Lytlewode Press, 1998.One of 30 deluxe copies from the total edition of 175 numbered copies signed by John Olsen and Robert Littlewood containing ten original signed etchings by John Olsen. The deluxe issue bound in brown kangaroo leather by Friedhelm Pohlmann also contains a tipped in sheet of original manuscript by the poet, ten original photographs of the artist and the poet signed by the publisher, five pieces of typescript correspondence hand signed by the publisher, 2 additional unsigned Olsen etchings, and an envelope containing a CD of Dutton reciting his poem. The recording of the CD made only weeks before Dutton’s death. New York Nowhere was Dutton’s last literary work, reflecting on the poet’s stroke and recovery in a New York hospital. Also included is the original prospectus and The Australian Magazine Dec 12-13, 1998 with the cover story on this work.
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[ILLUMINATED MANUSCRIPT] From the Bhagavdgita, Fechner, etc.
Ernest Yarrow Jones
[England]: Ernest Yarrow Jones, No date.12 pages of 20th century illuminated manuscript bound in hand painted wrappers by the English artist Ernest Yarrow Jones (1872-1951), as identified by a laid in note recording the booklet as a gift from the artist to Jessie [Gilbert]. The text comprises short extracts from the Bhagavdgita and Gustav Fechner’s On Life After Death illustrated with numerous detailed initials and miniature paintings.
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A Portfolio by Howard Chaykin Illustrating Sir Arthur Conan Doyle’s A Study in Scarlet
Howard Chaykin
Denver: Middle Earth, 1977.Portfolio by American comic book artist Howard Chaykin, the first plate signed and numbered by him and with a COA signed by the publisher. Edition of 1,000 numbered copies.
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Pengar eller Livet
Carl Johan De Geer; Jan Hannertz
Stockholm: Albert Bonniers Forlag, 1970.[Money or Life]. Photobook novella with captions in Swedish of De Geer and friends of the Swedish underground on an artistic and erotic romp about town
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Gandalf (Complete Run Nos. 1-58)
Guus Dijkhuizen; et al.
Amsterdam: Gandalf, 1964-1971.A complete run of Dutch counterculture magazine, Gandalf, founded and edited by Guus Dijkhuizen (1937-2013). Associated with the Dutch Provo and hippie movements, Gandalf generally ran with a mix of art, literature, humour, satire, and nudity. Literary contributors included Gerard Reve, Simon Carmiggelt, Jan Wolkers, Simon Vinkenoog, Remco Campert, and Peter Andriesse. Though cartoon nudity appeared from No. 2, and No. 6 contained a centrefold “Playmate of the Rear”, photographic nudes did not appear until No. 8 and it was not until No. 21 before bare breasts were featured on the front cover, as the editors stepped up their campaign against the Holland status quo. Early circulation of Gandalf was around a few hundred copies, making the smaller format early issues rare, but within a couple of years had amassed a large audience with circulation around twenty thousand. Complete from Nos. 1 to 58, in 57 volumes, with No. 9/10 being a double issue.
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Who are you, Polly Maggoo
William Klein
Paris: delpire & co, 2023.Photo-novel based on Klein’s 1966 film.
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Inter-Traveller: People Playing with the Dead
Tomoko Konoike
Tokyo: Hatori Press, 2009. -
Russell Drysdale, 1912-81
Geoffrey Smith
Melbourne: National Gallery of Victoria, 1997. -
John Rigby: Art and Life
John Millington; Mark Rigby
Sydney: Playright Publishing, 2003. -
Central Australian Artist Albert Namatjira
John Brackenreg; Albert Namatjira
Sydney: The Legend Press, No date.Text by John Brackenreg, with 26 colour plates.
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Stripperama
Richard Larter; Kelly Gellatly
Melbourne: Heide Museum of Modern Art, 2002.Catalogue of an exhibition 18 May – 28 July, 2002.
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Adrian Feint: Cornucopia
Adrian Feint; Richard Heathcote
Adelaide: Wakefield Press, 2009.