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Cahier de Chansons Appartenant a Monsieur Varcourt, Sapeur-Pompier. 24. rue de Poissy
Emilien Varcourt
Paris: Emilien Varcourt, 1903-1906.A manuscript notebook composed by a volunteer firefighter, Emilien Varcourt, with a Paris regiment between 1903 and 1906. Over 100 songs, romances, monologues, lullabies, etc, are recorded, both transcribed and original. The text is illustrated throughout with original drawings, many signed, and lightly erotic. A fantastic Parisian manuscript illuminating romance and sexuality at the beginnings of the 20th century.
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Raw Meat Cannibals!
Sharon Cruise (Maboota)
: Sharon Cruise (Maboota), No date.Duplicated typescript for an unpublished erotic-horror short story based in the Amazon. A man alone in the jungle comes across a tribe of black muscular nude women that torture him and force him to perform sexual acts on them before eating him.
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[ILLUMINATED] Poems by Carolyn Tebbetts
Carolyn Tebbetts; Elizabeth Mott Chesbrough?
: Elizabeth Mott Chesbrough?, 1910.Poems by Carolyn Tebbets and one by John Banister Tabb, in manuscript with ornate watercolour borders. An inscription on a front flyleaf notes: “Virginia Tebbetts June 19, 1910. With love of Elizabeth Mott Chesbrough” designating the likely artist as Elizabeth, though this is uncertain. An additional watercolour with a poem in french is laid in. Housed in decorative handmade cloth wrappers with an original drawing of a pelican standing under a tree by the waterside.
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[ILLUMINATED MANUSCRIPT] From the Bhagavdgita, Fechner, etc.
Ernest Yarrow Jones
[England]: Ernest Yarrow Jones, No date.12 pages of 20th century illuminated manuscript bound in hand painted wrappers by the English artist Ernest Yarrow Jones (1872-1951), as identified by a laid in note recording the booklet as a gift from the artist to Jessie [Gilbert]. The text comprises short extracts from the Bhagavdgita and Gustav Fechner’s On Life After Death illustrated with numerous detailed initials and miniature paintings.
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Das Jahr der Seele
Stefan George; Ernest Briggs
Brisbane: Ernest Briggs, No date.Autograph transcription of German symbolist poet Stefan George’s 1897 work Das Jahr der Seele [The Year of the Soul] by Australian poet, broadcaster, and critic Ernest Briggs (1905-1967). The complete work has been copied in the original German, though the poem starting ‘Keins wie dein feines ohr’ has only been titled with a blank space left for the poem, and the final 9 poems from ‘Ob schwerer nebel in den waldern hangt’ to end have not been included, presumably only because Briggs ran out of room in the book. Penned during Briggs time at 4BK Brisbane sometime in the late 1930s or early 1940s.
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Blow Away the Morning Dew: An Autobiography of a Childhood in the Australian Bush
Ernest Briggs
Brisbane: Ernest Briggs, 1967.The unpublished childhood autobiography of Australian poet, broadcaster, and critic Ernest Briggs (1905-1967). Prepared in Brisbane in 1967, the same year as the author’s death from a myocardial infarction, the typescript is an original source of life in early 20th century New South Wales and also contains 12 mounted photographs with manuscript captions. Littered with his poems and other flourishes Briggs tells of his childhood in a cottage in the then rural bush setting of Marsden Park, Riverstone, north-west of Sydney. After his mother’s death at the age of 3 Briggs spends the next three years at the Ashfield Infant’s Home, he tells of this time and of his relationship with Matron Rebecca Marston. At age 6 Briggs returns to Marsden Park, a sickly child, he is given a doctors pass on school and spends most of his time at his father’s bootmaking workshop in Riverstone, or in the bush around the cottage, both of which he describes at length. He also recounts some of his father’s childhood stories at Ballarat and Clunes, Victoria. A fifth-generation Australian, included are various Briggs family colonial history and correspondence from the early to mid 1800s. His father, growing weary of Ernest’s stubbornness and requiring reprieve does eventually send him off to school and some of his experiences in the small town school are told, with beatings regular. His creative differences quickly become obvious and he further retreats into the beauty of the countryside. Briggs creative interests also began at home, “Once when a visitor had said, ‘Quite an art-showing you’ve got here, Charlie’ my father walked around the room saying, ‘It comes of mixing with artists in my younger days. Not many, but good…. This is a Burket-Foster..; here are a couple by the noted water-colourist, Miss Allingham, a friend of Jessie’s.., she loved the foreshores of the Harbour, as you can see; this is by Gerrard, I did his framing for a number of years; this is by Uncle Tom Roberts, the first man in Australia to paint extensive oils .. you’ll see a couple of unfinished Roberts in the spare room.” Also recounted are trips into Sydney on public holidays with his father, through his eyes we are given a tour of the city and its landmarks, and also told of the history of Sydney’s early years. Ernest tells of his boyhood encounter on the street with actress Nellie Stewart, and working as a messenger-boy in Sydney of casually meeting Dame Nellie Melba, another formative creative moment. Other holiday trips are described viewing old mills out past Campbelltown, or north to Windsor and Richmond, the Camperdown cemetery, and other regional historic sites.
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A Preliminary Disquisition on the Considerations of the Functional Procedure and Design of Exterior Building Spaces
Robin Phillips; Eugene Lewis
New York: Columbia University, 1966.With especial reference to the Frank W. Abrams Plaza, Columbia University. Unpublished bound photocopy of typed manuscript with some editor’s marks. From the author’s collection.