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The Album: A Visual Celebration of Australian Music (A Special Issue of not only Black+White Magazine
AU$30.00 Read MoreAdd to cartMarcello Grand
Sydney: Studio Magazines, [1997].A special issue of Not Only Black + White featuring photography, some nude, of Australian musicians. Published between 1992 and 2007 Black+White was a coffee table format magazine which featured work from some of the world’s top photographers, often nude or semi-nude portraiture, together with interviews with photographers and celebrities and articles on popular culture and current events.
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Sound Practices: A Journal of Audio Technology
AU$550.00 Read MoreAdd to cartJoe Roberts
Alexandria and Austin: Sound Practices, 1992-1997.A complete run in 16 issues of the audiophile journal Sound Practices edited by Joe Roberts. “…hands-down the hippest and most controversial hi-fi ‘zine, reverses the common belief that the hi-fi gear of the ’30s, ’40s, and ’50s sucked and that modern components sound superior. This mag argues just the reverse: that ever since the gritty transistor replaced the smooth-sounding tube, the sound of hi-fi systems has steadily gotten worse instead of better. .. Lest you think that a bunch of guys into ’30s retro-tech are old freaks, the Sound Practices mob is made up of swashbuckling techno-anarchists who range from members of the avant-garde NY art scene to many of the most well-respected minds in international hi-fi. And the articles range from the highly technical to wildly imaginative think pieces.” (Wired, 1st December 1994)
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Stereo Microphone Techniques
AU$100.00 Read MoreAdd to cartBruce Bartlett
Boston and London: Focal Press, 1991. -
Tonmeister Technology: Recording Environments, Sound Sources, Microphone Techniques
AU$100.00 Read MoreAdd to cartMichael Dickreiter
New York: Temmer Enterprises, 1989.With 157 tables and illustrations. Translated from the German by Stephen F. Temmer.
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Tuning, Timbre, Spectrum, Scale
AU$50.00 Read MoreAdd to cartWilliam A. Sethares
London: Springer, 1998. -
The Science of Musical Sounds
AU$50.00 Read MoreAdd to cartJohan Sundberg
San Diego: Academic Press, 1991.Part of the Academic Press Series: Cognition and Perception.
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Tokyo GlamRock: The Work of Matsukage and Ujino
AU$40.00 Read MoreAdd to cartChris Horrocks
: iMMprint, 2002.The art, music and design of the Japanese duo Matsukage and Muneteru Ujino.
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Mad Love Song Book
AU$40.00 Read MoreAdd to cartLinda Ronstadt
Hialeah: Columbia Pictures Publications, 1980.Photography by Peter Howe.
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More Dark Than Shark
AU$50.00 Read MoreAdd to cartBrian Eno; Russell Mills
London: Faber and Faber, 1986.Graphic interpretations of the music and lyrics of Brian Eno by Russell Mills. With commentaries by Rick Poynor.
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Zinkzong Musikmagasin Nr. 4
AU$30.00 Read MoreAdd to cartArild Polden
Ski: Zinkzong Musikmagasin, 1981.Single issue of Norwegian music zine Zink.
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San Francisco Express Times (Complete Run, 61 Issues 1968-1969 w/ the First 7 Issues of Good Time)
AU$2,500.00 Read MoreAdd to cartMarvin Garson; Robert Novick
San Francisco: The Trystero Company, 1968-1969.Complete run of the weekly underground newspaper San Francisco Express Times from Vol. 1 No. 1 January 26, 1968 – Vol. 2 No. 12, March 25, 1969, being all 61 issues before it was renamed Good Times being , here offered with those first seven issues, being Vol. 2 No. 13, [April 1969] – No. 19 May 14, 1969. Good Times continued (on a less regular publishing schedule) until August 2, 1972. Founded by Marvin Garson and Bob Novick the Express Times was a counterculture tabloid covering and promoting radical politics, music, arts, and progressive culture in the Bay Area. It featured extensive coverage of student riots including the prolonged strike at San Francisco State University, and a serialized novel of guerrilla warfare in the United States, Berkeley Guns by Lenny Heller, as well as a weekly cooking column by Alice Waters, illustrated by David Lance Goines. Regular contributors included Todd Gitlin, Greil Marcus, Paul Williams, Sandy Darlington, and Marjorie Heins, alongside staff photographers Jeffrey Blankfort, Nacio Jan Brown, and Robert Altman, and cartoons by Jaxon, Ron Cobb, and Sharon Rudahl. Also featured are writings by or about Richard Brautigan (Note: The final issue credits themselves for publishing 62 issues in total, however this is believed incorrect, there being 61 issues published weekly with a week taken off at the New Year. Comparable holdings found also note the total as 61. Also note Vol. 1 No. 13 misnamed No. 14, April 18, 1967 [1968], sequential numbering then corrected with No. 14 designated as No. 14.5)
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Belfast Punk: Warzone Centre, 1997 – 2003 (Deluxe Edition)
AU$650.00 Read MoreAdd to cartRicky Adam
Bologna: Damiani Editore, 2017.The deluxe edition, limited to 15 copies, with an original signed and numbered photograph by Ricky Adam. “The Warzone Collective began in 1984 in Belfast, Northern Ireland, when a few local punks decided to consolidate their efforts and find their own venue, practice, and social space. In 1986, the Collective opened Giros, its first premises in Belfast, which contained a vegetarian cafe, practice space, and screen printing facilities. It soon became a focal point for anarchists and punks. In 1991 the Collective moved Giros to a larger and more ambitious venue, the spot where all of the photographs in this book were taken. Over the years, thousands of people passed through Giros’ doors. A strong D.I.Y. ethic defined the way gigs and events were organized. It didn’t have an alcohol license, and it was an all ages venue. The Warzone Centre, or The Centre as it was called by some, became the countercultural hub for the greater Belfast area and beyond. Bands from all over the world played there, and it was famous for being one of the best in Europe for D.I.Y. punk. The photographs in this book were taken between 1997 and 2003. Toward the end of 2003, the Centre closed, leaving a huge gap in radical Belfast culture. It reopened in 2011, in a different venue on the opposite side of town and is still going strong today.” (publisher’s blurb)
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PUNK ROCKhampton: Central Queensland Indie Music History, 1979-1999
AU$40.00 Read MoreAdd to cartCameron Borg
Bendigo: Moonlight Publishing, 2000. -
Brisbane Bands, 1957-1994 (5 Volumes)
AU$50.00 Read MoreAdd to cartZbig Nowara; Chris Spencer
Bendigo: Moonlight Publishing, 1996-1997.List of Brisbane Bands, in 5 volumes: 1957-1969, 1970-79, 1980-84, 1985-89, 1990-94.
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Studies in Indonesian Music
AU$60.00 Read MoreAdd to cartMargaret J. Kartomi
Melbourne: Centre of Southeast Asian Studies, Monash University, 1978.Monash Papers on Southeast Asia – Number Seven. 3 papers by David Goldsworthy, Catherine Falk, and Bronia Kornhauser, edited by Margaret J. Kartomi.
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The Free Fantasia and the Musical Picturesque
AU$50.00 Read MoreAdd to cartAnnette Richards
Cambridge: Cambridge University Press, 2001. -
Les Enfants De Jean Bart: Carnaval, Chansons et Parler Dunkerquois
AU$80.00 Read MoreAdd to cartJean Denise
Dunkirk: Westhoeck-Editions, 1978.Musical score by composer Jean Denise. Includes introduction by Christian Bommel and contributions by Serge Blanckaert, Jean Chatroussat, Michal Heyden, Roch Vandromme, Jean Wispelaere, and David Riefenstahl.
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Noise Matters: Towards an Ontology of Noise
AU$30.00 Read MoreAdd to cartGreg Hainge
New York: Bloomsbury, 2013. -
The First Ten Years of the Modern Country Music Association (Later A.C.M.A.), 1964-1974
AU$30.00 Read MoreAdd to cartDick Eckert
Yandina: Australasian Country Music Association Incorporated, 2001. -
Bundaberg Orpheus Singers present Handel’s Oratorio Messiah, Bundaberg Civic Centre, Saturday 11th December 1971
AU$10.00 Read MoreAdd to cartJohn Stoutley
Bundaberg: Bundaberg Orpheus Singers, 1971.Programme for a 1970s choir performance by the Bundaberg Orpheus Singers.