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Art Cinema
Paul Young; Paul Duncan
Koln: Taschen, 2009. -
HR Giger Taschen Portfolio
HR Giger
Koln: Taschen, 2002.Portfolio of 14 Giger paintings with descriptions in English German, French, Spanish, and Japanese.
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Bob Mizer. AMG: 1000 Model Directory
Dian Hanson; Bob Mizer
Koln: Taschen, 2016.“From a quarter million male nudes, editor Dian Hanson selects the best physique photography from Bob Mizer, founder of Physique Pictorial, America’s first indisputably gay magazine. Printed from the original 4 x 5 negatives for utmost clarity, this two-volume, seriously strapping lineup includes movie and TV stars Nick Adams, Glenn Corbett, and Ed Fury. An hour-long DVD is also included, containing 18 films made by Bob Mizer between 1954 and 1968, in black and white and color, all edited specifically for this book. They range from simple posing routines by bodybuilding stars Keith Stephan and AMG favorites Forrester Millard, John Davidson, and Steve Buono, to sword and sandal star Ed Fury’s first physique film, to gladiator extravaganzas, wrestling adventures, crime dramas, and—a Bob specialty—humorous morality tales, starring Jim Paris, John Tristram, Monte Hanson, and other models featured in the book. Mizer’s take on Dr. Frankenstein’s monster, in posing straps, is a standout.” (publisher’s blurb)
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Manga Design
Masano Amano
Koln: Taschen, 2004.DVD includes interviews, a Tokyo Manga-shop tour, and 900 Manga covers.
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Dian Hanson’s: The History of Men’s Magazines (6 Volumes)
Dian Hanson
Koln: Taschen, 2022.Complete set of Dian Hanson’s history of 20th century men’s magazines,
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Dian Hanson’s: The History of Men’s Magazines (Volume 6): 1970s Under the Counter
Dian Hanson
Koln: Taschen, 2022.“In 1965, the first issue of Private magazine was published. Inside were full-color photos of pretty women blatantly displaying their genitals. [The publisher] Milton also included his opinions, which mainly covered the absurdity of sex photos being outlawed when the naked brutality of the Vietnam War was shown daily on TV and in the print media. With its frank attitudes and imagery, Private became the starting point of Swedish hardcore–though the hardcore was still to come. It is not far-fetched to say Private changed the entire face of international pornography.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 5): 1970s at the Newsstand
Dian Hanson
Koln: Taschen, 2022.“1967 was the year men’s magazines became pornography. Prior, there were pinup magazines and adventure magazines, art-photo magazines, nudist magazines, girlie titles and risque titles, over-the-counter and under-the-counter, top shelf and bottom shelf, spicy, saucy, sparkling and seedy titles. But the day Berth Milton Sr. walked into a session of Swedish Parliament with photos of actual sexual intercourse and announced he was going to publish them in his magazine Private, pornography was born.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 4): 1960s Under the Counter
Dian Hanson
Koln: Taschen, 2022.“The new publishing companies started in Hollywood then expanded into the San Fernando Valley, the first settlers in what would become the world capitol of porn production. American Art Agency, commonly called Parliament, was the leader, but Art Enterprises, Comet, Dominion, Marquis, Marst, Orbit, Pendulum, Press Arts, Rilgac, Sari, Spice, Tri-S, Tower, Utopia and many others contributed memorable magazines. The East Coast got into the game late with Sampson and Delilah Publishing, Health Knowledge, and Lenny Burtman’s Selbee Associates out of New York, and the distinctive Tudor House/Central Sales from Baltimore, but overall, California ruled.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 3): 1960s at the Newsstand
Dian Hanson
Koln: Taschen, 2022.“Around 1960 Hugh Hefner began exporting Playboy. It was an immediate success overseas and by mid-decade most of Europe had adopted the Playboy blueprint for its own men’s magazines. From France came Lui, from Italy Playmen. England made King, Germany Eden. The only serious challenge to Playboy’s dominance came when Penthouse from newly hip London in 1965, taking the grittier stance of the Rolling Stones to Playboy’s Beatles. From 1966 on Penthouse was copied regularly as Playboy, resulting in English Mayfair and Men Only and Italian Excelsior, Men, 10 and numerous others. Italy was especially taken with the Penthouse model, since publisher Bob Guccione was a paisano himself, but even Germany’s most venerable men’s magazine, Er, eventually restyled in Penthouse hipster mode. Soon these “lifestyle” men’s magazines, those that covered fashion, food, travel and entertainment as well as sex, were the only titles available on European newsstands. Playboy’s overseas influence was a stunning victory for Hefner, but it came at the expense of the more culturally distinctive magazines made in France, Germany and England prior to 1960.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 2): Post-War to 1959
Dian Hanson
Koln: Taschen, 2022.“Sex publishing has always been a battleground. On the one hand there were men, mentally and physically hardwired to respond to erotic images. On the other hand, other men, determined to deprive the first group of what they naturally desired. The first two volumes tracing the history of men’s magazines are about the struggle between lust and taboo, beginning with the first bare French breasts in 1880 and ending with bare American breasts in 1958.” (from author’s introduction to Volume 1)
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Dian Hanson’s: The History of Men’s Magazines (Volume 1): 1900 to Post-WWII
Dian Hanson
Koln: Taschen, 2022.“Sex publishing has always been a battleground. On the one hand there were men, mentally and physically hardwired to respond to erotic images. On the other hand, other men, determined to deprive the first group of what they naturally desired. The first two volumes tracing the history of men’s magazines are about the struggle between lust and taboo, beginning with the first bare French breasts in 1880 and ending with bare American breasts in 1958.” (from author’s introduction)
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Les Diners de Gala
Salvador Dali
Koln: Taschen, 2021.“”Les diners de Gala is uniquely devoted to the pleasures of taste… If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.” (Salvador Dali). Food and surrealism make perfect bedfellows: sex and lobsters, collage and cannibalism, the meeting of a swan and a toothbrush on a pastry case. The opulent dinner parties thrown by Salvador Dalí (1904-1989) and his wife and muse, Gala (1894-1982) were the stuff of legend. Luckily for us, Dalí published a cookbook in 1973, Les diners de Gala, which reveals some of the sensual, imaginative, and exotic elements that made up their notorious gatherings. This reprint features all 136 recipes over 12 chapters, specially illustrated by Dalí, and organized by meal courses, including aphrodisiacs. The illustrations and recipes are accompanied by Dalí’s extravagant musings on subjects such as dinner conversation: “The jaw is our best tool to grasp philosophical knowledge.” All these rich recipes can be cooked at home, although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school, with meals by leading French chefs from such stellar Paris restaurants as Lasserre, La Tour d’Argent, Maxim’s, and Le Train Bleu. Good taste, however voluptuous, never goes out of fashion. In making this exceptionally rare book available to a wide audience, TASCHEN brings an artwork, a practical cookbook, and a multisensory adventure to today’s kitchens.The first English edition of Les Diners de Gala was published in 1973 by FELICIE, INC., New York.” (publishers’ blurb)
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The Wines of Gala
Salvador Dali
Koln: Taschen, 2017.“Hot on the heels (or lobster claws) of the best-selling Salvador Dali phenomenon, Les diners de Gala, TASCHEN presents the artist’s equally surreal and sensual viticulture follow-up: The Wines of Gala. A Dalinian take on pleasures of the grape and a coveted collectible, the book sets out to organize wines “according to the sensations they create in our very depths.” Through eclectic metrics like production method, weight, and color, the book presents wines of the world in such innovative, Daliesque groupings as Wines of Frivolity, Wines of the Impossible, and Wines of Light. Bursting with imagery, the book features more than 140 illustrations by Dali. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-Francois Millet’s The Angelus, one of Dali’s favorite points of reference over the decades. Dal’ also included what is now considered one of the greatest works from his late Nuclear Mystic phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dali was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age.” (publishers’ blurb)
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A Garden of Eden: Masterpieces of Botanical Illustration
H. Walter Lack
Koln: Taschen, 2021.“In pursuit of both knowledge and delight, the craft of botanical illustration has always required not only meticulous draftsmanship but also a rigorous scientific understanding. This new edition of a TASCHEN classic celebrates the botanical tradition and talents with a selection of outstanding works from the National Library of Vienna, including many new images. From Byzantine manuscripts right through to 19th-century masterpieces, through peonies, callas, and chrysanthemums, these exquisite reproductions dazzle in their accuracy and their aesthetics. Whether in gently furled leaves, precisely textured fruits, or the sheer beauty and variety of colors, we celebrate an art form as tender as it is precise, and ever more resonant amid our growing awareness of our ecological surroundings and the preciousness of natural flora.” (publisher’s blurb)
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Helmut Newton: [SUMO]
Helmut Newton; June Newton
Koln: Taschen, 2019.Published 20 years after the original SUMO, one the biggest feats of 20th century art publishing. Includes the Celebrating 20 Years of Sumo booklet.
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Decorative Arts: From the Middle Ages to the Renaissance: The Complete Plates
Carl Becker
Koln: Taschen, 2011. -
Jean-Michel Basquiat XXL
Jean-Michel Basquiat; Hans Werner Holzwarth
Koln: Taschen, 2018.“Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, whose vivid paintings remain as fresh and urgent today as in 1980s New York. This XXL-sized monograph gathers Basquiat’s major works in pristine reproduction alongside texts by his contemporary Carlo McCormick as well as by curator and art historian Eleanor Nairne. They introduce us to an artist whose legend is as strong as ever.” (publisher’s blurb)
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Gustav Klimt: The Complete Paintings XXL
Tobias G. Natter; Gustav Klimt
Koln: Taschen, 2018.“During his lifetime, Gustav Klimt was a controversial star whose works made passions run high. He stood for Modernism but he also embodied tradition. His pictures polarized and divided the art-loving world. The press and general public alike were split over the question: For or against Klimt? This monograph explores Klimt’s oeuvre with particular emphasis upon such contemporary voices. With a complete catalogue of his paintings, including new photographs of the Stoclet Frieze commissioned exclusively for this book, it examines the reactions to Klimt’s work throughout his career. Subjects range from Klimt’s portrayal of women to his adoption of landscape painting. The theory that Klimt was a man of few words who rarely put pen to paper is also dispelled with the inclusion of 179 letters, cards, writings, and other documents from the artist.” (publisher’s blurb)
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Paul Outerbridge
Paul Outerbridge; Manfred Heiting
Koln: Taschen, 2017.“American photographer Paul Outerbridge created shimmering “artifical paradises.” From Cubist still life images to nudes, his sensitivity to light and shadow and pioneering use of color transformed everyday scenarios into near-abstract compositions. This unique aesthetic helped him seductively champion the expressionistic, as much as commercial, potential of color photography.” (publisher’s blurb)
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The History of EC Comics
Grant Geissman
Koln: Taschen, 2020.“In 1947, Bill Gaines inherited his legendary father’s fledgling publishing company, EC Comics. Over the next eight years, he and a “who’s who” of the era including Al Feldstein, Harvey Kurtzman, and Wally Wood would reinvent the very notion of the comic book with titles like Tales from the Crypt, Weird Science, and MAD. With more than 1,000 images and rarities, there’s something new here for even the most die-hard EC Fan-Addicts. Famous First Edition: First printing of 5,000 numbered copies.” (publisher’s blurb)