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John Shirlow: Ten Etchings
John Shirlow
Melbourne: The Lytlewode Press, 2005.Portfolio of ten etchings printed directly form Shirlow’s plates accompanied by an essay in letterpress by the publisher, Robert C. Littlewood, and a photographic frontispiece. The portfolio created by master Brisbane binder Fred Pohlmann in the style of Shirlow’s 1904 folio Five Etchings. Each etching titled in pencil and stamped with a facsimile signature. The etchings are of eight views of Melbourne, one of Sydney Harbour, and one of Hobart. Limited to 100 numbered copies signed by the publisher. This copy with the letterpress prospectus.
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The Littlewood Press
Katherine N. Simitian
Stoke-on-Trent: The Lytlewode Press, 2007.Being a monograph dealing with the development of an Australian private press featuring eighty-nine etchings printed in the atelier of The Press. A short history of the Littlewood Press from 1996 to 2007 featuring original etchings printed at the Press editioned from its published works and commissioned artists including Sir Lionel Lindsay, Norman Lindsay, Derham Groves, Allan Jordan, Trish Hart, Tony Irving, Pro Hart, Andrew Sibley, Caitlin Littlewood, Robbie Harmsworth, Peter Jones, Marc Severin, and Leslie Tarrant. Bound in stingray, likely the first Australian publication using this skin, the natural white star of the skin forming a decorative emblem to the spine. The idea for this book originated in 1996 when the publisher undertook to print ten additional copies of every etching printed at the press with the intention of creating a history volume at a later date. A number of the etchings are ex libris bookplates. One of the finest Australian art publications, limited to just 10 copies, signed and numbered by the author and the publisher, 5 of which are housed in Australian institutions. This copy is number 10 and includes the original prospectus, The History of The Littlewood Press, featuring an additional Trish Hart etching and signed by the publisher, Robert Littlewood. Issued with 81 of the 89 listed etchings, and with 4 of the Pro Hart etchings supplied twice, making for a total of 85 etchings and photographic portrait of the publisher. The plates not included as per the checklist are: 10. Trish Hart: Nesting Gull; 34. Tony Irving: The Old Kiosk [Black]; 37. Tony Irving: Home Alone [Black]; 39. Tony Irving: Ramsen Place; 40. Tony Irving: Drewery Lane; 42. Tony Irving: Hosier Lane; 43. Tony Irving: Waratah Place; 44. Tony Irving: China Town. The four Pro Hart plates that are included in duplicate are: 45. Singers at the Southern Cross Hotel; 46. Miner’s Kids; 47. Yabbie Picnic; 48. Gethsemane. The plates not included do not appear to have been removed, but as in true Private Press fashion, the difference in actual issue to the stated intention differing as per the whim, requirement, or temperament of the publisher.
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New York Nowhere: Meditations and Celebrations, Neurology Ward, The New York Hospital
Geoffrey Dutton; John Olsen
Melbourne: The Lytlewode Press, 1998.One of 30 deluxe copies from the total edition of 175 numbered copies signed by John Olsen and Robert Littlewood containing ten original signed etchings by John Olsen. The deluxe issue bound in brown kangaroo leather by Friedhelm Pohlmann also contains a tipped in sheet of original manuscript by the poet, ten original photographs of the artist and the poet signed by the publisher, five pieces of typescript correspondence hand signed by the publisher, 2 additional unsigned Olsen etchings, and an envelope containing a CD of Dutton reciting his poem. The recording of the CD made only weeks before Dutton’s death. New York Nowhere was Dutton’s last literary work, reflecting on the poet’s stroke and recovery in a New York hospital. Also included is the original prospectus and The Australian Magazine Dec 12-13, 1998 with the cover story on this work.