Prices in AUD. Shipping worldwide. Flat rate $8 postage per order within Australia. International by weight calculated at checkout. Read full terms.
-
Deviate Lust Lady
Olin Demar
[Las Vegas]: Spartan Line, 1965.Lesbian pulp. Spartan Line SL 105. “She lusted after another man’s wife…” Spartan Line was an imprint of Pioneer Publishing.
-
Ultimate Transform
Raymond E. Banks
Wilmington: Orchard Publishing Co., 1978.Sci-fi smut pulp. Castle Books CB 209. Also published as Lust in Space under the pseudonym Ralph Burch and The Moon Rapers as Ramond Banks. Cover art by Paul Stinson.
-
The Soft Sin
Randy Salem [Pat Perdue]
New York: Tower Publications, 1962.Lebsian pulp by Pat Perdue . Midwood-Tower F196. “She fell in love with her boss, but her boss was a woman.” GRIER A**.
-
Diary of a Black Lesbian
Cherry Black
North Hollywood: Barclay House, 1969.Lebsian blaxploitation pulp. A Barclay House Psycho-Sex Study 7069.
-
Second Sight
Lindsay Welsh
New York: Masquerade Books / Rosebud, 1996.Lesbian superhero fiction.
-
One Way Trip
Nina Sands
Buffalo: Wee Hours Books Inc., 1967.Lesbian biker pulp fiction. Wee Hours 547. Cover art by Bill Alexander. Unrecorded in OCLC.
-
So Sweet, So Soft, So Queer
Victor Jay
North Hollywood: Private Edition Books, 1965.Gay pulp fiction by Victor J. Banis AKA Don Holliday under his Victor Jay pseudonym. PE-344. “He burned with a lusty passion as he soared into the ecstasy of love — but this time his partner was a man.”
-
Demon Mona
Jake Edwards
Cleveland: Chevron Publications, 1967.Sleaze pulp fiction. Chevron 109. Cover art by Gene Bilbrew AKA Eneg. The story of a chandelier and its journey to being the centrepiece of a private sex theatre. 1 copy recorded in OCLC.
-
Lady Boss
Shawna deNelle
Buffalo: Book Magazine Distributors, 1967.Lesbian pulp fiction. After Hours AH 157. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
-
Queen of Evil
Myron Kosloff
Buffalo: After Hours Book Inc., 1964.Voodoo occult lesbian pulp fiction by Paul Hugo Little under his Myron Kosloff pseudonym. After Hours AH 105. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.
-
Gay Reunion
Bud Conway
Buffalo: After Hours Book Inc., 1965.Lesbian pulp fiction. After Hours AH 119. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.
-
Stand In
Paul Prentiss
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 144. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
-
Prowler
Barry Grover
Buffalo: After Hours Book Inc., 1965.Lesbian pulp fiction. After Hours AH 114. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
-
Joy Ride
Jon Parker
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 129. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
The Invaders
Anthony Dean
Buffalo: After Hours Book Inc., 1966.After Hours AH 138. Cover art by Gene Bilbrew AKA Eneg. An occasional Bilbrew contribution to the After Hours series published by Stanley Malkin in the 1960s. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
-
Pleasure Bound
Ron Horton
Buffalo: After Hours Book Inc., 1965.Lesbian orgies on the high seas. After Hours AH 115. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
Gay Cargo
Raymond Harte
Buffalo: Market Arcade, 1967.After Hours pulp AH 164. Cover art by Bill Alexander. Continuing the series of colour covers by Stanton for the After Hours series published by Stanley Malkin in the 1960. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
-
Vixens Delight
Ivan Tarpoff
Buffalo: After Hours Book Inc., 1965.Femdom pulp. After Hours AH 110. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
Madame Butch
Edward Marshall
Buffalo: After Hours Book Inc., 1966.Lesbian domination pulp. “Whether you had a Lolita-complex, a fetish urge for black leather, a desire for kissing silky soft panties, or if you liked to peep on others, or even if you were on the gay side and liked to make love to members of your own sex — you could have it (at a price) when you visited Madame Butch.” After Hours AH 131. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
Name Your Pleasure
Anthony Dean
Buffalo: After Hours Book Inc., 1966.A group of college girls move out to San Francisco and get jobs as topless waitresses. After Hours AH 152. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a self-portrait of a grabby Stanton. Unrecorded in OCLC.