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hoooook
Woojin Oh
: Superani, 2018.Monograph of Korean digital artist hoooook.
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The Land of Dreams: How Australians Won Their Freedom, 1788-1860
David Kemp
Carlton: The Miegunyah Press, 2018.“The Land of Dreams: How Australians Won Their Freedom, 1788-1860 tells the story of how Australians gained the liberties they desired to take control of their lives, the right to govern themselves and the capacity to address their own political problems through democratic institutions. As the first book in a landmark five-volume Australian Liberalism series, The Land of Dreams describes how Australians laid the foundations for one of the world’s most successful countries, with unprecedented levels of personal liberty and social equality.” (from publisher’s blurb)
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Bees of Australia: A Photographic Exploration
James Dorey
Melbourne: CSIRO Publishing, 2018. -
Restoring Farm Woodlands for Wildfire
David Lindenmayer; Damina Michael; Mason Crane; Daniel Florance; Emma Burns
Melbourne: CSIRO Publishing, 2018. -
Momoyama Tea Utensils: A New View
Curatorial Division, Nezu Museum
Tokyo: Nezu Museum, 2018.Catalogue for an exhibition of ceramics from the Momoyama period, and the start of the Edo period.
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Three Colonial Adventures
John Lingwood Stuart
Melbourne: Edition Renard, 2018.One of the Deluxe Edition of 70 numbered copies in full leather (from a total edition of 215). John Lingwood Stuart’s three manuscript journals, here collected under the title THREE COLONIAL ADVENTURES, have never before been published. Written in 1849, 1851, and 1852-53 they provide a fascinating insight into the migration of a young man from England to Adelaide in South Australia and his subsequent adventures in his new land. His first journal comprises an interesting shipboard diary of his voyage to Australia on board the Minerva. Whilst not a particularly remarkable voyage in itself, his journal captures beautifully the experience of a migrant in the mid-nineteenth century, conveying with gentle humour just what it was like to be a passenger in those times, the routine, the duties, the boredom, the occasional excitement, the wildlife observed, the sickness and (fortunately few) deaths, and of course, the weather. His second journal is much more unusual and historically important. In 1851 Stuart signed on to a sealing expedition in South Australian and Kangaroo Island waters on the cutter Jane and Emma and he gives a detailed daily account of the progress of the voyage, the places visited, seals killed, skins and oil obtained, other wildlife observed, and encounters with sailors, settlers, and Aborigines. Following his return to Adelaide, in 1852 Stuart embarked on another expedition, this time overland by bullock dray to the diggings at the Bendigo goldfields. Again, historically important, and one of the few detailed journals of the time, Stuart recounts his adventures following the Murray and Loddon Rivers including comments on the squatters and Aboriginal people encountered along the way, the difficulties of travelling with bullocks and much else. Arriving at Bendigo he and his companions spent a few days investigating various gullies before commencing digging in Geelong Gully where almost immediately they found gold. All three journals have dated daily entries and have been meticulously transcribed, but the wealth of interesting information has been hugely supplemented by the detailed and informative footnotes and the account of Stuart’s life (he subsequently became a mining engineer) by Robert M. Warneke. In addition Robert has provided maps of the two Australian journeys, carefully reconciling the places mentioned by Stuart to the geography; a detailed analysis of the seal catch and notes to the wildlife encountered in all three journeys; and an extensive bibliography of the references used. A detailed description of the original journals is provided by Julien Renard. An entirely new and original work, never before published, elegantly typeset with sparing and judicious use of colour to enhance the text and capture the flavour of the manuscript originals, and the volumes have been finely hand bound by Peter Lewis.
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Three Colonial Adventures
John Lingwood Stuart
Melbourne: Edition Renard, 2018.One of the Standard Edition of 100 numbered copies (from a total edition of 215). John Lingwood Stuart’s three manuscript journals, here collected under the title THREE COLONIAL ADVENTURES, have never before been published. Written in 1849, 1851, and 1852-53 they provide a fascinating insight into the migration of a young man from England to Adelaide in South Australia and his subsequent adventures in his new land. His first journal comprises an interesting shipboard diary of his voyage to Australia on board the Minerva. Whilst not a particularly remarkable voyage in itself, his journal captures beautifully the experience of a migrant in the mid-nineteenth century, conveying with gentle humour just what it was like to be a passenger in those times, the routine, the duties, the boredom, the occasional excitement, the wildlife observed, the sickness and (fortunately few) deaths, and of course, the weather. His second journal is much more unusual and historically important. In 1851 Stuart signed on to a sealing expedition in South Australian and Kangaroo Island waters on the cutter Jane and Emma and he gives a detailed daily account of the progress of the voyage, the places visited, seals killed, skins and oil obtained, other wildlife observed, and encounters with sailors, settlers, and Aborigines. Following his return to Adelaide, in 1852 Stuart embarked on another expedition, this time overland by bullock dray to the diggings at the Bendigo goldfields. Again, historically important, and one of the few detailed journals of the time, Stuart recounts his adventures following the Murray and Loddon Rivers including comments on the squatters and Aboriginal people encountered along the way, the difficulties of travelling with bullocks and much else. Arriving at Bendigo he and his companions spent a few days investigating various gullies before commencing digging in Geelong Gully where almost immediately they found gold. All three journals have dated daily entries and have been meticulously transcribed, but the wealth of interesting information has been hugely supplemented by the detailed and informative footnotes and the account of Stuart’s life (he subsequently became a mining engineer) by Robert M. Warneke. In addition Robert has provided maps of the two Australian journeys, carefully reconciling the places mentioned by Stuart to the geography; a detailed analysis of the seal catch and notes to the wildlife encountered in all three journeys; and an extensive bibliography of the references used. A detailed description of the original journals is provided by Julien Renard. An entirely new and original work, never before published, elegantly typeset with sparing and judicious use of colour to enhance the text and capture the flavour of the manuscript originals, and the volumes have been finely hand bound by Peter Lewis.
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LGBTQ Social Movements
Lisa M. Stulberg
Cambridge: Polity, 2018.“In recent years, there has been substantial progress on lesbian, gay, bisexual, transgender, and queer (LGBTQ) civil rights in the United States. We are now, though, in a time of incredible political uncertainty for queer people. LGBTQ Social Movements provides an accessible introduction to mainstream LGBTQ movements in the US, illustrating the many forms that LGBTQ activism has taken since the mid-twentieth century. Covering a range of topics, including the Stonewall uprising and gay liberation, AIDS politics, queer activism, marriage equality fights, youth action, and bisexual and transgender justice, Lisa M. Stulberg explores how marginalized people and communities have used a wide range of political and cultural tools to demand and create change. The five key themes that guide the book are assimilationism and liberationism as complex strategies for equality, the limits and possibilities of legal change, the role of art and popular culture in social change, the interconnectedness of social movements, and the role of privilege in movement organizing. This book is an important tool for understanding current LGBTQ politics and will be essential reading for students and scholars of sexuality, LGBTQ studies, and social movements, as well as anyone new to thinking about these issues. (publisher’s blurb)
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Cosmic Love Wonder Lust: The Imperial Slacks Project
Nicholas Tsoutas
Sydney: Campbelltown Arts, 2018.Accompanying book to exhibition by artist run collective Imperial Slacks held across the Campbelltown Arts Centre and Sydney College of the Arts Galleries in 2015. Imperial Slacks challenged the traditional model of artist run spaces, using their collective to test alternative attitudes towards curating.
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The Designer’s Guide: Easton Pearson Archive
Renai Grace; Madeleine Johns; Alice Payne; Pamela Easton; Lydia Pearson
Brisbane: Museum of Brisbane, 2018.Produced to accompany the exhibition at the Museum of Brisbane, 23 November, 2018 – 22 April, 2019.
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Movie Stills from Toshiaki Toyoda Films, 1998-2018
Toshiaki Toyoda
Tokyo: Gambit Publishing, 2018. -
Pornalikes
Piotr Uklanski
Zurich: Edition Patrick Frey, 2018.Piotr Uklanski’s Untitled (Pornalikes), 2002-12 was first presented as part of the exhibition Piotr Uklanski: Czterdziesci i sztery, Zacheta Natoinal Gallery of Art, Warsaw, 2019. “Pornalikes is a book of portraits with a difference. Culling his materials from a 2002-2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures, Polish artist Piotr Uklanski (born 1968) draws on men’s magazines such as Hustler and Loaded, as well as meme-culture material from websites and blogs, to assemble this challenging take on portraiture and celebrity . In Pornalikes Uklanski subverts the original expectations of traditional art-historical portraiture, exploring the pop-cultural tensions between sexual identity and exploitation, man and woman, fiction and reality and challenging both easy moral parameters and good taste. Pornalikes picks up where his cult series The Nazis and Real Nazis, also published by Edition Patrick Frey, left off.” (publisher’s blurb)
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Intelligent Digital Oil and Gas Fields: Concepts, Collaboration, and Right-Time Decisions
Gustavo Carvajal; Marko Maucec; Stan Cullick
Cambridge: Gulf Professional Publishing, 2018. -
Creating the Hong Kong Sevens: Tokkie Smith and the Colour of Rugby
John D’Eathe
: Adagio Media, 2018. -
Davida Allen: In the Moment
Davida Allen; Angela Goddard
Brisbane: Griffith University Art Museum, 2018.Catalogue of an exhibition held 3 May-30 June 2018.
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The Routledge Handbook of International Beat Literature
A. Robert Lee
London and New York: Routledge, 2018.The world of Beat literature beyond San Francisco.
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Talking To Women
Nell Dunn
[London]: Silver Press, 2018.With an introduction by Ali Smith and a new Afterword by Nell Dunn. “In 1964, Nell Dunn spoke to nine of her friends over a bottle of wine about sex, work, money, babies, freedom and love. The novelist Ann Quin says she appears to be a ‘singular girl, singular and single’ but questions the use she makes of her freedom. The Pop artist Pauline Boty reveals she married ‘the first man I could talk very freely to’ ten days after meeting him. Kathy Collier, who worked with Dunn in a Battersea sweet factory, talks about what it takes to ‘get out’ of a life that isn’t fulfilling. Edna O’Brien tells us about the time she inadvertently stole a brown georgette scarf and the lesson she took from it: ‘Morality is not the same thing as abstinence.’ After more than fifty years out of print, Talking to Women is still as sparkling, honest, profound, funny and wise as when it was first published.” (publisher’s blurb)
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Novus Florilegium (New Gathering of Flowers)
Katarina Vesterberg
Brisbane: Andrew Baker Art Dealer, 2018.Exhibition catalogue.
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Warrior Woman
Karla Dickens
Brisbane: Andrew Baker Art Dealer, 2018. -
Invasion
Michael Cook
Brisbane: Andrew Baker Art Dealer, 2018.Exhibition catalogue. “Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims.” (artist’s statement)