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Retro-Active: A 25 Year Survey
Fiona Foley
Brisbane: Andrew Baker Art Dealer, 2013. -
Bearing Witness
Fiona Foley
Brisbane: Andrew Baker Art Dealer, 2010. -
Horror Has A Face
Fiona Foley
Brisbane: Andrew Baker Art Dealer, 2017. -
Sea of Love
Fiona Foley
Brisbane: Andrew Baker Art Dealer, 2008. -
Flotsam and Jetsam
Fiona Foley
Brisbane: Andrew Baker Art Dealer, 2012. -
Biting The Clouds: A Badtjala Perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897
Fiona Foley
Brisbane: University of Queensland Press, 2020.“In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari. Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.” (publisher’s blurb)
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The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art
Fiona Foley
Southport: Keeaira Press, 2006.“In October 2005 the Centre for Public Culture and Ideas hosted The Art of Politics/The Politics of Art conference in Brisbane. An impressive array of local and international Indigenous and non-Indigenous academics, art administrators and practicing artists were gathered together to discuss Indigenous art in mainstream Australia and in international arts practice. This book features contributions from Fiona Foley, Regina Ganter, Subba Gosh, Anna Haebich, Dillon Kombumerri, Ole Maiava, Louise Martin-Chew, Michael Mel, Djon Mundine Fiona Nicoll, Aaron Seeto, Franca Tamisari and Kelvin Yazzie.”