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Riders in the Chariot
Leonard Brown
Brisbane: Andrew Baker Art Dealer, 2021. -
Bolt
Donna Marcus
Brisbane: Andrew Baker Art Dealer, 2017. -
George Randall: Emigration Officer Extraordinaire: A Biography
Jack Walton
Brisbane: CopyRight, 2007. -
Ngaachi Bla Mepla
Rosella Namok
Brisbane: Andrew Baker Art Dealer, 2007. -
Australian Stingless Bees: A Guide to Sugarbag Beekeeping
John Klumpp
Brisbane: Earthling Enterprises, 2019.“Australian Stingless Bees: a guide to Sugarbag beekeeping by John Klumpp is a 120 page book packed with over 200 photos and illustrations. People tell us that it is easy to read, whimsical, engaging, amusing, and is crammed with useful information. Of particular interest is a comprehensive description of Klumppy’s Eduction (or budding) method for propagating hives, which requires minimal intervention in the colony, and offers a way to reduce the risk of exposing your colony to parasites and diseases, especially for hobbyists.” (publisher’s blurb)
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Inviting Nature to Dinner
Helen Schwencke; Dick Copeman
Brisbane: Earthling Enterprises, 2020.“Nature is at a crisis point. The living creatures with whom we share the planet are being decimated by our actions. We are clearing their habitat, changing the climate, poisoning them with chemicals and moving them around the globe so that some become invasive species that threaten others. We may feel powerless to challenge these global trends, but we are not. This book shows how, by starting in our own gardens, we can begin to make a difference, amply demonstrated by Helen’s 33-year-old butterfly and wildlife garden.” (publisher’s blurb)
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Create More Butterflies: A guide to 48 butterflies and their hostplants for south-east Queensland and northern New South Wales
Frank Jordan; Helen Schwencke
Brisbane: Earthling Enterprises, 2005.“With over 250 photos for 48 different butterfly life cycles and caterpillar food plants, the 88 pages of Create More Butterflies covers species from south-east Queensland and northern New South Wales and well beyond. 31 of the 48 species were raised from eggs laid on host plants grown in a 16 perch (405 sq m) inner Brisbane suburban garden.” (publisher’s blurb)
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Gilas Bilong Lukim Papa Graun (Mirror to the World)
Simon Gende
Brisbane: Andrew Baker Art Dealer, 2018. -
Siamani Samoa
Michel Tuffery
Brisbane: Andrew Baker Art Dealer, 2012.Exhibition catalogue.
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long water: fibre stories
Freja Carmichael
Brisbane: Institute of Modern Art, 2020.“long water: fibre stories illuminates spiritual, ancestral, and physical connections to water through fibre practices of artists from Yuwaalaraay (North West NSW), Quandamooka (Moreton Bay, South East QLD), Kuku Yalanji (Far North QLD), Zenadh Kes (Torres Strait Islands, QLD), Yurruwi (Milingimbi Island, NT), and surrounding homelands. Together this group–Aboriginal and Torres Strait Islander women, spanning different generations and ancestries–share an inseparable relationship to water, be it the vast sea, inland waterways, or expansive river systems. Collectively, long water celebrates the stories of regeneration and continuation of important cultural traditions, and the strong women and vital water places that sustain them. The country, and wide range of environments, practices, and knowledge represented speak to both deep time and contemporary experiences–bringing into focus the importance of water to our cultural health and our capacity for resilience.” (publisher’s blurb)
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Glory Days: Brisbane’s Art World to 1970
Judith Hamilton
Brisbane: Boolarong Press, 2020.“This book recounts the glory days when Brisbane was seen as the art capital of Australia. Great artists such as renowned, award winning artist, Margaret Olley and two time Archibald winner, William Robinson, were developing and exposing their skills. Brisbane had many prestigious art galleries, art organisations and groups. These times inspired great art teachers such as Wendy Allen and Mervyn Moriarty who made such a big impact on the education of students in primary and secondary schools and tertiary colleges in the city and country areas of Queensland.” (publisher’s blurb)
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Booze Built Australia
Wayne Kelly
Brisbane: Watson Ferguson & Company, 2017.This is the fascinating account of how Australias development was fuelled by alcohol.
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A Devil Pokes The Actor: Frankly Acting 2
John Nobbs; Peter Berkahn
Brisbane: Frank Theatre Press, 2010.“This is the second book about actor training by John Nobbs. The first, Frankly Acting, outlined the early development of the Frank Suzuki Performance Aesthetics (FSPA), as a western variant and translation of the classic Suzuki Actor Training Method (SATM). This devil’s logbook is a series of 25 provocations that poke further and deeper into the alchemical triggers and mechanisms that inform the one true actor training system originally devised by Tadashi Suzuki. Interspersed throughout the 25 provocations are revelations by some of the many actors that have used the FSPA to develop their acting spirit. Tadashi Suzuki, the inventor of the SATM, has stated that he believes that the training is not just for the actor’s craft, but that it should be a creative tool for making theatre performances . The FSPA follows on the traces of that purpose, and this book outlines its importance as the creative onestop shop of Ozfrank Theatre Matrix. It includes examples, with colour photographs, that illustrate how Ozfrank director Jacqui Carroll uses the FSPA to impel her productions.” (publisher’s blurb)
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Frankly Acting: An Autobiography of the Frank Suzuki Performance Aesthetics
John Nobbs
Brisbane: Frank Theatre Press, 2006.“John Nobbs’ Frankly Acting is the first Australian book espousing a uniquely homegrown theatrical performance theory. As Grotowski did in Poland and Artaud in France, Nobbs has articulated an Australian performance aesthetic which revivifies in a contemporary context the theatrical traditions of its geographic region. With illuminating references to popular culture, his Suzuki-inspired method is based on rigorous theatrical discipline, but with an ever-present and distinctively Australian sense of humour. Frankly Acting grounds its theory in the artistic heritage of the Asia-Pacific, with a theatrical resonance which is universal.” (Martin Buzacott)
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Women In The University: A Policy Report
Brian G. Wilson; Eileen M. Byrne
Brisbane: University of Queensland Press, 1987.Report of the University of Queensland Senate Working Party on the Status of Women.
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Three Four Sixteen Eighty and a Hundred
Leonard Brown
Brisbane: Andrew Baker Art Dealer, 2008.Exhibition catalogue.
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Hospital Ships
Rupert Goodman
Brisbane: Boolarong Press, 2016.Foreword by B. T. Treloar, AO, Rear Admiral RAN (Rtd).
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Bonsai with Australian Native Plants
Dorothy Koreshoff; Vita Koreshoff
Brisbane: Boolarong Press, 2013. -
The Bird Man of Brisbane: Silvester Diggles and his Ornithology of Australia
Louis J. Pigott
Brisbane: Boolarong Press, 2010.“When Silvester Diggles arrived in 1855 there was little artistic or scientific talent in the small frontier town of Brisbane. By the time of his death in 1880, his paramount legacy was a large book on Australian birds, profusely illustrated with hand-coloured lithographs. Acting as his own publisher from 1865 onwards, Diggles produced the first substantial zoological work to commence publication in Australia. The compilation and content of this rare work of art and natural history is examined here in the light of Diggles’ life and times, as well as his ornithological predecessors and contemporaries. So too is his role in establishing the first scientific society and museum in Queensland. Also presented in this lavishly illustrated publication are colour plates from his bird book, and some of his original bird paintings for the first time.” (publisher’s blurb)
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Baptised Among Crocodiles: A History of the Daintree Aboriginal Mission, 1940-1962
Russell Guy
Brisbane: Boolarong Press, 2015.“Sometime around 1930, an Irish pentecostal missionary, Isobella Hetherington arrived at Mossman in Far North Queensland. She was accompanied by an Aboriginal woman named Nellie who was a talented vocalist. Together they began ministering to the Kuku Yulanji Aboriginal people who had been forced to gather in small groups throughout the Daintree Rainforest. Ten years later, a Mission was built on land purchased by the Assembly of God (Qld) beside the Daintree River and 50 to 70 people moved there. For the next 20 years, they grew bananas and pineapples, built homes and struggled with a government policy that controlled most aspects of their lives. This is the story of how, in a rapidly changing world, the Kuku Yulanji and the Missionaries sought to understand each other at a time before Reconciliation became a national objective.” (publisher’s blurb)