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Hyakunin Joro Shinasadame [One Hundred Women Classified According to Their Rank]
Nishikawa Sukenobu
Kyoto: Unsodo, No date.One of the masterpieces of Ukiyoe art. Depicts women from various social classes of the Edo period, from court and samurai ladies to geisha and sex workers, and the many town and country women in between. Originally published in 2 volumes in 1723 and here reprinted together in 1 volume circa late 19th/early 20th century.
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Nobuyoshi Araki: A Life in Photography
Nobuyoshi Araki
Kyoto: Seigensha, 2020.Six decades of life as a photographer, in his own words.
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Tokyo Innocence
Mika Ninagawa
Kyoto: Mitsumura Suiko Shoin, 2013.Photographic portraiture of colourful Tokyo subcultures.
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Nomen / Noh Masks
Yasuo Nakamura; Naomi Maki
Kyoto: Shinshindo, 1979.A beautifully presented collection of masks used in the classical Japanese dance-drama Noh. Each plate, photographed by Naomi Maki, is mounted in an individual folder with tissue guard, housed in a portfolio case, and includes an index sheet. An accompanying explanatory volume written by Yasuo Nakamura goes into detail on the subject, as well as containing black and white photographs of the reverse sides of the masks. The portfolio and accompanying volume are housed inside of another cloth clamshell with two bone clasps, which in turn is housed in another box. Yasuo Nakamura (1919-1996) was a Japanese high school teacher, junior college professor, and Noh scholar, producing numerous works on the subject from the 1960s until his death. His scholarship on this collection of masks earned him the Geijutsu Sensho Prize from The Agency for Cultural Affairs.