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Bibliotheque Carlo de Poortere: Verhaeren, Maeterlinck, Rodenbach
Carlo de Poortere
Liege: Vaillant – Carmanne, 1985.Carlo de Poortere (1917 – 2002), son of Belgian carpet manufacturer Louis de Poortere and later co-manager of the family business, was a bibliophile and collector. His library included fine 17th and 18th century bindings, and other works from the sixteenth to the twentieth centuries. He also collected manuscripts and memorabilia, and it is those that this book documents, by Emile Verhaeren (Belgian Symbolist author, 1855 – 1916, Maurice Maeterlinck (Belgian poet and playwright, 1862 – 1949), and Georges Rodenbach (Belgian Symbolist writer and poet, 1855 – 1898). Produced in a limited edition of 350 copies, numbers 1 – 50 printed on Deluxe watermarked Ingres Van Gelder paper; this being one of the deluxe edition, being number 36.
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Outils / Tools / Werkzeuge: Bank in Bouge
Pierre Hebbelinck, Sebastien Redecke
Liege: Editions Fourre-Tout, 2010.“The construction of a bank branch in Bouge (Belgium) – the subject of this book – was completed in June 2009. It generated a collection of documents, artefacts and intangible connections. We have organised all this in an editorial form, making it possible to read through a process, removing all mystique from every element to bring it down to its basic function and structure, the tool.” (publisher’s blurb)
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The Voice of the Delta: Charley Patton And The Mississippi Blues Traditions, Influences and Comparisons: An International Symposium
Robert Sacre
Liege: Presses Universitaires Liege, 1987.Charley Patton is widely considered to be the father of the Mississippi Delta Blues tradition, a genre of music that would go on to become world-famous through the work of Robert Johnson, Muddy Waters, Lead Belly, John Lee Hooker and Blind Willie McTell. In 1987, a collection of the best musicians and scholars of Delta Blues commemorated the centenary of Patton’s birth in 1887 by holding a symposium. Collected here are the papers they presented at that symposium, along with photographs and illustrations befitting the richness of their subject. This copy signed and numbered by the editor, Robert Sacre. Errata slip laid in.