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Yves Klein: Dreaming in the Dream of Others
Georges Petitjean
Milan: Mousse Publishing, 2022.This volume presents works by 13 Aboriginal artists alongside pieces by the influential French artist Yves Klein (1928-62), whose early childhood art and writings reflect an interest in prehistorical Aboriginal motifs. Artists include: Angkaliya Curtis, Bardayal Lofty Nadjamerrek, Bil Whiskey Tjapaltjarri, Danie Mellor, Dhambit Mununggurr, Emily Kame Kngwarreye, Ignatia Djanghara, Waigan Djanghara, Judy Watson, Mirdidingkingathi Juwarnda Sally Gabori, Paddy Nyunkuny Bedford, Paji Honeychild Yankarr, and Wattie Karruwara.
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T*
Giordano Bonora
Milan: Mousse Publishing, 2019.“This book is inspired by the pictures that Giordano Bonora, a young streetcar operator and aspiring photographer, took of Bologna’s small transgender community in 1980 (although it would be more correct to speak, in this case, of proto-Transgenderism). Reproduced here for the first time, these raw and gilded images reflect–during a period in Italy characterized by subversive movements and political revolts that were not just rooted in questions of identity–attempts made by T* people at a construction of the self outside the binary logic of the genotypically XY male/genotypically XX female.” (publisher’s blurb) This copy in the publisher’s plastic wrap.
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Radical Mix in Hanoi
Ulrich Kirchhoff; Louise Low
Milan: Kaleidoscope Press, 2010.Designs for a mixed use high density structure in Hanoi. Part of the exhibition Radical Mix in Hanoi: Typological Transformations by Ulrich Kirchhoff, guest Professor at the Ecole Polytechnique Fédérale de Lausanne on the occasion of “Teaching Architecture: 3 Positions Made in Switzerland” (Istituto Svizzero di Roma, Venice, October 2010).
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Know Thy Instrument / A Lecture (AI Split Editions #1)
Bruce McClure; Hollis Frampton
Milan: Atelier Impopulaire, 2014.“Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns.” (publisher’s blurb)
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Patrick Staff: The Foundation
Aileen Burns; Johan Lundh
Milan: Mousse Publishing, 2015.“This book documents the eponymous work by British artist, Patrick Staff, presented at the Chisenhale Gallery, London; Spike Island, Bristol; Contemporary Art Gallery, Vancouver; and the Institute of Modern Art, Brisbane. The film combines footage shot at the Tom of Finland Foundation in Los Angeles–home to the archive of the erotic artist and gay icon and a community of people that care for it–with choreographic sequences shot within a specially constructed set.” (publisher’s blurb)