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Invasion
Michael Cook
Brisbane: Andrew Baker Art Dealer, 2018.Exhibition catalogue. “Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims.” (artist’s statement)
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Mother
Michael Cook
Brisbane: Andrew Baker Art Dealer, 2016.Catalogue of 13 images of a woman in a deserted rural Australia.
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Yuk Wiy Min
Aurukun Artists
Brisbane: Andrew Baker Art Dealer, 2009. -
Still In My Mind: Gurindji Location, Experience and Visuality
Brenda L. Croft; Penny Smith; Felicity Meakins
Brisbane: University of Queensland Art Museum, 2017.Foreword by Felicity Fenner and Campbell Gray.
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Biting The Clouds: A Badtjala Perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897
Fiona Foley
Brisbane: University of Queensland Press, 2020.“In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari. Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.” (publisher’s blurb)
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Missile Park
Yhonnie Scarce
Brisbane: Institute of Modern Art, 2021.“Yhonnie Scarce: Missile Park is the first survey exhibition of leading contemporary artist Yhonnie Scarce, and brings a major new commission into dialogue with work that spans the past fifteen years of the artist’s career. Scarce’s works in this survey reference the on-going effects of colonisation on Aboriginal people, responding to research into the impact of nuclear testing and the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Born in Woomera, South Australia in 1973, Scarce belongs to the Kokatha and Nukunu peoples, and family history is central to Scarce’s works in this show. This survey also includes major works that engage with the disciplinary forms of colonial institutions and representation-religion, ethnography, medical science, museology, taxonomy-as well as monumental and memorial forms of public art and remembrance.” (publisher’s blurb)
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Cologne to the Kimberley: Studies of Aboriginal Life in Northwest Australia by Five German Scholars in the First Half of the 20th Century
Margaret Pawsey; Kim Akerman
Perth: Hesperian Press, 2015.18 translated papers by Jos. Bischofs, Ernest Worms, Helmut Petri, A. S. Schulz, and Gisela Odermann.
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Among Wild Animals and People in Australia
Eric Mjoberg
Perth: Hesperian Press, 2012.Originally published in Swedish in 1915 as ‘Bland vilda djur och folk i Australien’. Here translated into English for the first time by Margareta Luotsinen and Kim Akerman. “From October 1910 to August 1911 biologist Erik Mjoberg and his seven man Swedish team travelled by bullock wagon through the West Kimberley collecting invertebrates, birds, mammals, and ethnographic research material. Their ten month journey took them from Derby, along the Fitzroy River upstream to Mount Anderson Station. Some members then went on to Noonkanbah, the St George Ranges and Fitzroy Crossing, while others went south to Mowla Bluff. After the return to Derby two members went to Sunday Island and then followed the stock route across the Leopold Ranges to Mount Barnett. Extensive collections were also made around Derby and Meda Station. Finally the expedition re-convened in Broome where side trips included a coastal trip by pearling lugger collecting marine specimens and another trip to Beagle Bay, collecting birds. Eric Mjöberg’s idiosyncratic text remained in the Swedish language until this long-awaited English translation. Now, for the first time, this unique perspective on biota and people is brought to a new generation of readers with an interest in Kimberley history and geography.” (publisher’s blurb)
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Ethnological Notes and Phallic Rites of the Aboriginal Tribes of Western and South Australia
R. H. Matthews
Perth: Hesperian Press, 2020. -
A Dictionary of Umpithamu with notes on Middle Paman
Jean-Christophe Verstraete
Canberra: Aboriginal Studies Press, 2020.“Umpithamu is a language of the Princess Charlotte Bay region on the east coast of Cape York Peninsula, in northeastern Australia. A Dictionary of Umpithamu, with notes on Middle Paman is the first comprehensive dictionary of a Cape York language to be published in over two decades. The dictionary provides detailed information about the grammar, meaning and use of Umpithamu words, generously illustrated with example sentences. All information can also be accessed through an index of English translations, organised alphabetically and thematically. For users with more specific interests, like linguists, anthropologists and biologists, the dictionary further offers phonetic transcriptions, cognates and (Middle) Paman reconstructions for most words, as well as ethnographic notes and identifications of plant and animal species.” (publisher’s blurb) Main language consultants: Florrie Bassani, Joan Liddy.
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Ngaachi Bla Mepla
Rosella Namok
Brisbane: Andrew Baker Art Dealer, 2007. -
Archer Magazine 13: The First Nations Issue
Bridget Caldwell-Bright; Maddee Clark
Melbourne: Archer Magazine, 2020.“Archer Magazine is an award-winning print publication about sexuality, gender and identity. It is published twice-yearly in Melbourne, Australia, with a focus on lesser-heard voices and the uniqueness of our experiences. This issue features words by Andrew Farrell, Indiah Money, Kai Clancy, Laniyuk, Rose Chalks, SJ Norman, Timmah Ball, Tre Turner, William Cooper; and images by Moorina Bonini, William Cooper, Ebony Daniels, Edwina Green, Morgan Hickinbotham, Jacinta Keefe, Hailey Harper Moroney, SJ Norman, Bodie Strain, Pierra Van Sparkes, and Toz Withall.”
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long water: fibre stories
Freja Carmichael
Brisbane: Institute of Modern Art, 2020.“long water: fibre stories illuminates spiritual, ancestral, and physical connections to water through fibre practices of artists from Yuwaalaraay (North West NSW), Quandamooka (Moreton Bay, South East QLD), Kuku Yalanji (Far North QLD), Zenadh Kes (Torres Strait Islands, QLD), Yurruwi (Milingimbi Island, NT), and surrounding homelands. Together this group–Aboriginal and Torres Strait Islander women, spanning different generations and ancestries–share an inseparable relationship to water, be it the vast sea, inland waterways, or expansive river systems. Collectively, long water celebrates the stories of regeneration and continuation of important cultural traditions, and the strong women and vital water places that sustain them. The country, and wide range of environments, practices, and knowledge represented speak to both deep time and contemporary experiences–bringing into focus the importance of water to our cultural health and our capacity for resilience.” (publisher’s blurb)
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Baptised Among Crocodiles: A History of the Daintree Aboriginal Mission, 1940-1962
Russell Guy
Brisbane: Boolarong Press, 2015.“Sometime around 1930, an Irish pentecostal missionary, Isobella Hetherington arrived at Mossman in Far North Queensland. She was accompanied by an Aboriginal woman named Nellie who was a talented vocalist. Together they began ministering to the Kuku Yulanji Aboriginal people who had been forced to gather in small groups throughout the Daintree Rainforest. Ten years later, a Mission was built on land purchased by the Assembly of God (Qld) beside the Daintree River and 50 to 70 people moved there. For the next 20 years, they grew bananas and pineapples, built homes and struggled with a government policy that controlled most aspects of their lives. This is the story of how, in a rapidly changing world, the Kuku Yulanji and the Missionaries sought to understand each other at a time before Reconciliation became a national objective.” (publisher’s blurb)
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Munyourbarn! Look and Learn: An Aboriginal Elder’s Stories
Vi McDermott
Gold Coast: Keeaira Press, 2007.Children’s short stories from the life of Aboriginal Elder Aunty Vi.
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Irrititja – The Past: Antikirrinya History from Ingomar Station and Beyond
Ingkama Bobby Brown; Petter Attila Naessan
Gold Coast: Keeaira Press, 2012.Simplified writing of Pitjantjatjara/Yankunytjatjar language together with eco-history and Antikirrinya oral history of Ingkama (Ingomar Station) and surrounding areas of South Australia.
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Re-imagining Australia: Voices of Indigenous Australians of Filipino Descent
Deborah Ruiz Wall; Christine Choo
Gold Coast: Keeaira Press, 2016.“The stories compiled in this book are part of the national narrative of the emergence of Australia as a nation. Descendants of Manilamen in Broome and Torres Strait tell us what it is like to be both Aboriginal and Filipino, one culture enriching the other. Contributors include; Kevin Puertollano, Mitch Torres, James Frederick Jahan, Miquel Castillon, Elsta Foy, Sally Bin Demin, Mary Manolis, Ellen Puertollano, Evelyn Masuda, Anthony Ozies, Magdalene Ybasco, Peter Sabatino, Lillian Elarde Majid, Mary-Rose Hampson, Josie Cowley, Camilla Sabatino, Mary Bin Juda, Patrick Mau, Regina Turner, Maria Sabatino and Josephine David-Petero. Debora Ruiz Wall and Christine Choo have made an important contribution to Australian history by documenting these stories.” (publisher’s blurb)
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Health Quality in Indigenous Communities: A Culturally Secure Quality Framework for Aboriginal and Torres Strait Islander Health Services
Christine Ryan
Gold Coast: Keeaira Press, 2010. -
A People’s Movement: Reconciliation in Queensland
Charmaine Foley; Ian Watson
Gold Coast: Keeaira Press, 2001. -
Trolling for Sharks: Adventures of a Teacher in a Remote Aboriginal Community
Trev Brown
Gold Coast: Keeaira Press, 2005.“This collection of short stories tell of Trev Brown’s time as a teacher at the Angurugu School on Groote Eylandt in the Gulf of Carpentaria. Being a manual arts teacher Trev put his practical skills to good use. Even if you are not interested in things mechanical it is impossible to put the book down until you find out what happens to the outboard engine that he finds at the bottom of a river and struggles to get going. He tells of rebuilding boats and cars, modifications to his house, rivets falling from airplanes, Friday nights at the Bartalumba Bay Fishermen’s Club and water-skiing in shark and crocodile-infested waters. Even the time he spent in the classroom had its share of excitement. Like the time an upset student arrived at school with his father’s spears and a few ended up through the school doors. Another time parents had to scare off crocodiles and sharks from the nearby river so a swimming carnival could be held, as the residents of the nearby mining town did not want Aborigines using the local swimming pool. Trevs skillful writing keeps the reader amused as you discover how exciting a schoolteacher’s life can be.” (publisher’s blurb)