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America: The Other Side: West Coast Art im Umkreis der 60er Jahre
Clemens Sels Museum
Nuess: Clemens Sels Museum, 1993.An exhibition of 1960s American art and counterculture. Contains essays in German and English (not bilingual). Includes discussion and images of the Beat Generation, counterculture in California, psychedelic poster art, Ken Kesey and the Merry Pranksters, and more.
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Mein Kampf
David Levinthal
Santa Fe: Twin Palms Publishers, 1996.First edition of Levinthal’s photographic recreations of scenes from Hitler’s reign, using figurines, toy soldiers, and dramatic lighting to construct his tableaux. Includes commentary by Roger Rosenblatt and James E. Young with an afterword by Garry Trudeau.
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Cage: A New Series of Assemblages and Collages
Betye Saar
New York: Michael Rosenfeld Gallery, [2010].Exhibition catalogue November 6 – January 15, 2011.
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Kanemitsu: California Visions: Selected Paintings, 1976-1984
Matsumi Kanemitsu
Beverly Hills: Louis Newman Galleries, 1984.Exhibition catalogue of Japanese-American painter Matsumi Kanemitsu (1922-1992) at Louis Newman Galleries, June 15-30, 1984.
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Crocodile Tears
Douglas Huebler
Buffalo: Albright-Knox Art Gallery and CEPA Gallery, 1985.Brief fictions re-sounding from the proposal in Variable Piece #70: 1971 to photographically document the existence of everyone alive. Photographs of American conceptual artist Douglas Heubler’s Variable Piece #70, and found forgeries of works by Van Gogh, Matisse, and Degas, illustrating a disjointed screenplay. A reflection on the dark side of the art market.
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Jack Goldstein x 10,000
Jack Goldstein; Philipp Kaiser
Newport Beach and Munich, London and New York: Orange County Museum of Art and Del Monico Books, 2012.Published in conjunction with an exhibition at the Orange County Museum of Art, California 24 June – 9 September 2012. Jack Goldstein (1945 – 2003) was a Canadian performance and conceptual artist. Based in California in the 1970s and 1980s he began painting and was among the first contemporary painters to pay others to produce works from his ideas.
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Technique and Collaboration in the Prints of Jasper Johns
Jasper Johns; Susan Lorence
New York: Leo Castelli Gallery, 1996.Published by Leo Castelli Gallery on the occasion of the exhibition, Jasper Johns Prints: 1960 to 1996, 19 October – 14 December 1996.
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Sophie Crumb: Evolution of a Crazy Artist
Sophie Crumb; R. Crumb; A. Crumb
New York: W. W. Norton & Company, 2011.“A groundbreaking work of striking originality that charts a young artist’s life through her own drawings-from toddlerhood to motherhood. Sophie Crumb’s startlingly expressive drawings track her development as an artist from age two to twenty-eight. Sifting through dozens of their daughter’s remarkable sketchbooks, our generation’s most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and nurtured, the book features six separate developmental stages, including Sophie’s earliest drawings, the elaborate fantasy world of her childhood, her late adolescent rebellion, and her coming of age in the milieu of the Paris circus world and New York’s “seventh circle of hell.” The drawings from her early twenties — of tattoo artists, dangerous menreflect a personal anguish that finally ends with her becoming a mother and creating a family of her own. Illuminating and intimate, this book is a dramatic yet subtle statement on the evolution of personality as seen through art.” (publisher’s blurb)
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The Real Great Society Album
Scott Hyde
New Jersey: Bayonne Publishing Co., No date.Multiple exposure collages of classical nudes, American themes, and streetscapes.
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Big Idea: The Maquettes of Robert Arneson
Robert Arneson; Signe Mayfield
Palo Alto: Palo Alto Art Center, 2002. -
Jane Dickson in Times Square
Jane Dickson
New York: Anthology Editions, 2018.“Artist Jane Dickson is a deep-rooted and central voice in New York City’s complex creative history. In the late 1970s and early ’80s, she was part of the movement joining the legacies of downtown art, punk rock, and hip hop through her involvement with the Colab art collective, the Fashion Moda gallery, and legendary exhibitions including the Real Estate Show and Times Square Show. In the midst of this groundbreaking work, Dickson lived, worked and raised two children in an apartment on 43rd Street and 8th Avenue at a time when the neighborhood was at its most infamous, crime-ridden, and spectacularly seedy. Through it all, Jane photographed, drew and painted extraordinary scenes of life in Times Square. These works, many of which are reproduced here for the first time, include candid documentary snapshots, roughly vibrant charcoal sketches, and paintings created on surfaces ranging from sandpaper to Brillo pads. Featuring a foreword by Chris Kraus and afterword by Fab Five Freddy, Jane Dickson in Times Square is a time machine back to a New York City that was truly wild: lawless, manic, sometimes squalid, sometimes magnificent.” (publisher’s blurb)
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The Outlaw Bible of American Art
Alan Kaufman
San Francisco: Last Gasp, 2016.“A 700-page revolutionary art world shocker: a Who’s Who alternative canon of marginalized or famed audodidactic paint-slinging loners who followed their own outrageous, sometimes catastrophic visions to the heights of fame or the depths of Hell. Documenting movements from the post-war to the present, this anthological barbaric yawp contains manifestos, essays, interviews and biographies from some of the most cutting edge American art writers plus hundreds of full color and black and white images and rare photos. The Outlaw Bible of American Art brings together everything from NO! artists, Blackstract Expressionists, Beats and Beckettian Distortionists to Dystopic Futuristic Pranksters, Subcultural Gonzo Anthropologists and Self-Mutilating Visionary Unigenderists in a rollicking visually gorgeous celebration of the reclaimed no-holds-barred spirit of American Art. Includes Boris Lurie, Forrest Bess, Gertrude Stein, Tom Wolfe, Dash Snow, Carlo McCormick, Annie Sprinkle, John Yau, Allen Ginsberg, R. Crumb, Claes Oldenberg, Thomas Nozkowski, Richard Kern, Joe Coleman, Molly Crabapple, David Choe, Robert Williams, Nick Zedd, David Wojnarowicz and hundreds more.” (publisher’s blurb)
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Diego Rivera: The Detroit Industry Murals
Linda Bank Downs; Diego Rivera
New York: W. W. Norton & Company, 1999.“Early in the Depression, Diego Rivera was commissioned by Edsel Ford to create a series of murals in the gallery of the Detroit Institute of Arts, giant frescos whose theme would be America’s industrial might. This volume studies the astonishing results and gives us a remarkably close look at Diego and his wife, Frida Kahlo. Rivera’s Detroit Industry murals are one of this country’s greatest treasures. In addition to providing full coverage and analysis of the murals, this volume includes chapters on the murals’ planning and antecedents, Rivera’s working methods (which can be read as a primer on frescos), Diego and Frida’s lives for their nine months in Detroit, and the public’s dramatic response to the strong socialist/communist themes in the works.” (publisher’s blurb)
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Kostabi World
Mark Kostabi; Seiichi Tanaka
Osaka and New York: Planet Corporation and Kostabi World, 1991.Mark Kostabi presented by Seiichi Tanaka. Produced in the early heights of Kostabi World, Kostabi’s multi-level art studio/factory in New York. Drawings, paintings, photographs, art banter for the cash.
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OBJECTS from Tender Buttons
Sandra Gibbons
[Portland]: FLASH+Card & c_L Production, 2011.A box set of 12 cards with envelopes by American illustrator Sandra Gibbons. The set comes from a series of “fifty-nine comics-adaption drawings that illustrate or respond to the OBJECTS section of Tender Buttons by Gertrude Stein. The original drawings are collected in the American Literature Collection at the Beinecke Rare Book and Manuscript Library at Yale University.” (artist’s blurb)
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Jean-Michel Basquiat XXL
Jean-Michel Basquiat; Hans Werner Holzwarth
Koln: Taschen, 2018.“Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, whose vivid paintings remain as fresh and urgent today as in 1980s New York. This XXL-sized monograph gathers Basquiats major works in pristine reproduction alongside texts by his contemporary Carlo McCormick as well as by curator and art historian Eleanor Nairne. They introduce us to an artist whose legend is as strong as ever.” (publisher’s blurb)
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The Djuna Set
June Wayne
Fresno: Fresno Art Museum, 1988.