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Yuk Wiy Min
AU$10.00 Read MoreAdd to cartAurukun Artists
Brisbane: Andrew Baker Art Dealer, 2009. -
Arero Ajive (A New Light)
AU$10.00 Read MoreAdd to cartIlma Savari (Ajikum’e)
Brisbane: Andrew Baker Art Dealer, 2016. -
Startling Art: Revealing the Art of Dennis Larkins
AU$40.00 Read MoreAdd to cartDennis Larkins
San Francisco: La Luz de Jesus Press and Last Gasp Books, 2010.“The art of Dennis Larkins ranges from retro-kitsch paintings of multi-dimensional landscapes to his legendary and iconic series of Grateful Dead concert posters. Larkins’ images were forever burned into the pop psyche by the groundbreaking stage monoliths he created for promoter Bill Graham. At last, here is a definitive collection of Larkins’ works — four decades of his creative growth and expression distilled in to a gorgeous, full-color hardcover. Startling Art is an in-depth look at an artist immersed in the visual vernacular of pop surrealism, uniquely drawn from a life lived in the trenches of pop culture. Foreword by Peter Golding.” (publisher’s blurb)
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Beyond Contemporary Art
AU$40.00 Read MoreAdd to cartEtan Jonathan Ilfeld
[London]: Vivays Publishing, 2012. -
Visions of the Floating World: The Cartoon Art of Japan
AU$40.00 Read MoreAdd to cartMark Cotta Vaz
San Francisco: Cartoon Art Museum, 1992.Scarce catalogue for an exhibition of Japanese comic art at the Cartoon Art Museum, San Francisco. 2 copies in OCLC. Unrecorded in CiNii.
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Transcendent Waves: How Listening Shapes Our Creative Lives
AU$40.00 Read MoreAdd to cartLavender Suarez
New York: Anthology Editions, 2020.“How can thoughtfully and intentionally listening to our world expand and inform our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self awareness, and calm in a work that is equal parts how-to guide and contemplative artist’s workbook. Suarez’s illustrated meditations follow in the artistic tradition of Yoko Ono’s Grapefruit and the creations of the Fluxus group, but also offer a modern take on listening in a world that gets louder every day. Covering everything from the noise of everyday life to musical compositions, Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts to spark a sense of wonderment and appreciation for the intricacies of sound and the new perspectives it can bring to our daily creative worlds.” (publisher’s blurb)
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![Genshoku Nihon no Bijutsu 28 [Primary Colours of Japanese Art 28: Modern Architecture, Sculpture, Crafts]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019524-300x300.jpg)
Genshoku Nihon no Bijutsu 28 [Primary Colours of Japanese Art 28: Modern Architecture, Sculpture, Crafts]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1972. -
![Genshoku Nihon no Bijutsu 25 [Primary Colours of Japanese Art 25: Nanban Art and Western-style Painting]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019523-300x300.jpg)
Genshoku Nihon no Bijutsu 25 [Primary Colours of Japanese Art 25: Nanban Art and Western-style Painting]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1970. -
![Genshoku Nihon no Bijutsu 10 [Primary Colours of Japanese Art 10: Zen Temple and Stone Garden]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019521-300x300.jpg)
Genshoku Nihon no Bijutsu 10 [Primary Colours of Japanese Art 10: Zen Temple and Stone Garden]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1967. -
![Genshoku Nihon no Bijutsu 4 [Primary Colours of Japanese Art 4: Shosoin]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019519-300x300.jpg)
Genshoku Nihon no Bijutsu 4 [Primary Colours of Japanese Art 4: Shosoin]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1968. -
![Genshoku Nihon no Bijutsu 1 [Primary Colours of Japanese Art 1: Ancient Japanese Art]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019517-300x300.jpg)
Genshoku Nihon no Bijutsu 1 [Primary Colours of Japanese Art 1: Ancient Japanese Art]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1970. -
Decorative Arts: From the Middle Ages to the Renaissance: The Complete Plates
AU$65.00 Read MoreAdd to cartCarl Becker
Koln: Taschen, 2011. -
Biting The Clouds: A Badtjala Perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897
AU$35.00 Read MoreAdd to cartFiona Foley
Brisbane: University of Queensland Press, 2020.“In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari. Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.” (publisher’s blurb)
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Picture Park
AU$10.00 Read MoreAdd to cartKatharina Grosse
Brisbane: Queensland Art Gallery, 2007. -
…but never by chance… (eroticism)
AU$10.00 Read MoreAdd to cartLinda Marie Walker
Adelaide: Experimental Art Foundation, 1992.Contributing artists: Lesley Stern, Brigette Carcenac de Torne, Merryn Gates, Rosslynd Piggott, Carol Rudyard, Melanie Howard, Brenda Ludeman, Anna Gibbs, Jennifer Hamilton, Sheridan Kennedy, Bronia Iwanczak, Tobsha Learner, Jyanni Steffensen, Helen Grace, and Rosemary Laing.
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Missile Park
AU$25.00 Read MoreAdd to cartYhonnie Scarce
Brisbane: Institute of Modern Art, 2021.“Yhonnie Scarce: Missile Park is the first survey exhibition of leading contemporary artist Yhonnie Scarce, and brings a major new commission into dialogue with work that spans the past fifteen years of the artist’s career. Scarce’s works in this survey reference the on-going effects of colonisation on Aboriginal people, responding to research into the impact of nuclear testing and the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Born in Woomera, South Australia in 1973, Scarce belongs to the Kokatha and Nukunu peoples, and family history is central to Scarce’s works in this show. This survey also includes major works that engage with the disciplinary forms of colonial institutions and representation-religion, ethnography, medical science, museology, taxonomy-as well as monumental and memorial forms of public art and remembrance.” (publisher’s blurb)
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Making Art Work
AU$35.00 Read MoreAdd to cartLlewellyn Millhouse; Liz Nowell; Tulleah Pearce; Sarah Thomson
Brisbane: Institute of Modern Art, 2021.“This publication documents an initiative of the Institute of Modern Art, Making Art Work which proposed an experimental role for the institution as administrators of economic stimulus for artists. Taking place across 2020–during and post [COV..]-19 lockdowns–the project saw over 40 artists commissioned to create new works that reinforced the importance of creative labour at a time when the cultural and economic value of art had been diminished. Drawing from the politicised language of the crisis, each artist responded to the provocations posed by four curatorial pillars; Unprecedented Times, Industrial Actions, Permanent Revolution, and Relief Measures. Artist commissions spanned objects, texts, workshops, ephemeral projects, and more with the outcomes presented via makingart.work, and at the IMA Belltower. This publication complies these artworks alongside new essays from Sophia Nampitjinpa Sambono, Ian Were, Sarah Werkmeister, and Yen-Rong Wong, and a foreword from IMA staff Llewellyn Millhouse, Liz Nowell, Tulleah Pearce, and Sarah Thomson to create a document celebrating Queensland art and artists. Making Art Work commissioned artists included: Tony Albert, Kieron Anderson, Mariam Arcilla, Maeve Baker, Richard Bell, Mia Boe, Hannah Brontë, Michael Candy, Emil Cañita, Jacquie Chlanda, Monika Noémi Correa, Merinda Davies, Julian Day, Digi Youth Arts, ?ggve|n, Ana Paula Estrada, Chantal Fraser, Hannah Gartside, Mindy Gill, Channon Goodwin, Kinly Grey, Daisy Hamlot, Susan Hawkins, Rachael Haynes, Gordon Hookey, Natalya Hughes, Inkahoots, Peter Kozak, Jenna Lee, Mia McAuslan & Jon Tjhia, Amelia McLeish, Archie Moore, Tori-Jay Mordey, Sally Olds, Steven Oliver, Sarah Poulgrain, Refugee Solidarity Meanjin, Angelica Roache-Wilson, Amy Sargeant, Shandy, Jacqui Shelton, Des Skordilis, Hannah Smith, David Spooner, Grant Stevens, Tyza Stewart, and Liesel Zink.” (publisher’s blurb)
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Aphrodisiacs: The World of Ayumi Kasai
AU$75.00 Read MoreAdd to cartAyumi Kasai
Tokyo: PIE International, 2021.“Ayumi Kasai is a pioneer and one of the most popular artists in the genre of yaoi, or Boys Love. This book contains illustrations from Kasai’s yaoi novels over the past 10 years, as well as her original work in the “Dannahan to Chiwagenka (The Husband & Lovers Fight)” series and a selection of illustrations specially drawn for the publication. On every page you can enjoy Kasai’s world of aestheticbeauty and eroticism. Contains explicit sexual scenes.” (publisher’s blurb)
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Brian Blomerth’s Bicycle Day
AU$60.00 Read MoreAdd to cartBrian Blomerth
New York: Anthology Editions, 2019.A visual history of the world’s first acid trip. With an introduction by Dennis McKenna. “Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Combining an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style, Brian Blomerth’s Bicycle Day is a testament to mind expansion and a stunningly original visual history.” (publisher’s blurb)
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We Ate The Acid
AU$50.00 Read MoreAdd to cartJoe Roberts
New York: Anthology Editions, 2018.“Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixed-media works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.” (publisher’s blurb)