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Rues et Visages de New-York
Chas Laborde; Paul Morand
Paris: Lacouriere, 1950.Streets and Faces of New York. The final, and posthumous, of Charles Laborde’s series of works on famous world cities, having previously produced similar volumes on Paris (1926), London (1928), Berlin (1930), and Moscow (1935). The New York volume produced from sketchbooks he made on his trip in 1932, containing 15 accompanied by text by Paul Morand. One of 200 numbered copies on Arches from a total edition of 230.
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La Ballade de la Geole de Reading
Oscar Wilde; G. Cornelius
Paris: Javal et Bourdeaux, 1927.French edition of Wilde’s The Ballad of Reading Gaol illustrated with 15 coloured copper engravings by Jean-Georges Cornelius. One of 225 numbered copies.
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Cahier de Chansons Appartenant a Monsieur Varcourt, Sapeur-Pompier. 24. rue de Poissy
Emilien Varcourt
Paris: Emilien Varcourt, 1903-1906.A manuscript notebook composed by a volunteer firefighter, Emilien Varcourt, with a Paris regiment between 1903 and 1906. Over 100 songs, romances, monologues, lullabies, etc, are recorded, both transcribed and original. The text is illustrated throughout with original drawings, many signed, and lightly erotic. A fantastic Parisian manuscript illuminating romance and sexuality at the beginnings of the 20th century.
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Nous Deux: Illustre de seize pointes-seches originales [Nelly et Jean]
[Gaston de Sainte Croix]; [Marcel Valotaire]
[Paris]: Editions du Cyclmen, 1956.The second edition of the story by Marcel Valotaire telling of the sexual awakening of a young female student, Nelly, mostly in the hands of her Latin tutor, Jean. This edition, probably published by Vialetay, with 16 drypoint etchings by Gaston de Sainte Croix printed by Georges Viglino. One of 168 numbered copies on Rives, from a total edition of 200. DUTEL 2055.
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Nelly et Jean, Nous Deux, simples papiers du tiroir secret
[Jean Dulac]; [Marcel Valotaire]
[Paris]: Grave et imprime pour les auteurs et leurs amis, [1929].First edition, first printing of one of the masterpieces of early 20th century erotica, noted as being the most expensive clandestine publication of the time with 46 finely printed and hand coloured illustrations by Jean Dulac. The story by Marcel Valotaire tells of the sexual awakening of a young female student, Nelly, mostly in the hands of her Latin tutor, Jean. One of 240 numbered copies on Arches (from a total edition of 295). The 2 volumes here bound as one in a fine three quarter leather binding retaining the two original illustrated wrapper panels. DUTEL 2054.
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Les Memoires de Josephine suivi de Filles de Ferme et de Paroles
Pierre Louys
[Paris]: [Societe de Bibliophiles Japonais], 1894 [1984].1 of 30 copies with 6 etchings by Ginko Honjo [Gilbert Houbre]. Published clandestinely in Paris with all copies subscribed by a society of Japanese bibliophiles.
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Aphrodite
Pierre Louys; Paul Gervais
Paris: Association et Cercle Grolier, 1932.The first edition with illustrations by Paul Gervais of Louys’ immensely successful novel of tumultuous love and desire set in Alexandria. One of 200 copies produced for the Association et Cercle Grolier, this being number 143, one of 75 copies for corresponding members.
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Aphrodite: Moeurs antiques
Pierre Louys; Edouard Chimot
Paris: Edition d’Art de L’Intermediaire du Bibliophile, 1929.The first edition with illustrations by Chimot of Louys’ immensely successful novel of tumultuous love and desire set in Alexandria. One of 154 copies of the standard edition (from the total edition of 300), this copy finely bound by Herbillon-Crombe.
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Le Malheureux Petit Voyage
Gabriel Soulages; Umberto Brunelleschi
Paris: L’Estampe Moderne, 1926.The Unhappy Little Journey, or the Miserable End of Madame de Conflans, Princess of La Marsaille, Reported by Marie-Toinon Cerisette, Her Faithful and Devoted Servant. The first novel by French writer Gabriel Soulaes (1876-1930), and the first edition with romantically erotic illustrations by Italian painter Umberto Brunelleschi. The 27 pochoir illustrations are finely executed, the colour bursting from the page. One of 20 hors commerce copies identical to the standard edition of 434 copies from a total edition of 500 copies, of which this is number VIII, bound in an elegant blue full leather binding with the original wrappers front panel (with pochoir illustration) and spine bound in.
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L’Homme qui a perdu son Ombre
Adelbert de Chamisso; Bernard Naudin
Paris: A. M. Peignot, 1913.French translation from the original German of Peter Schlemihls wundersame Geschichte (English: The Man with No Shadow) by the exiled French aristocrat, poet, and botanist, Adelbert von Chamisso (1781-1838). The story follows Peter Schlemihl who sells his shadow to the Devil for infinite money. The first edition with 15 engravings by French artist Bernard Naudin (1876-1946) limited to 100 numbered copies, this being one of 75 copies on Van Gelder paper, in a signed fine binding by Bernasconi with the original wrappers bound in. Peter Schlemihl was Naudin’s first major project after giving up painting to devote himself exclusively to printmaking.
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Truffeln: Mythos und Wirklichkeit
Christian Volbracht
Wiesbaden: Tre Torri Verlag, 2012.Truffles: Myth and Reality. The deluxe edition of 100 signed and numbered copies bound in papered boards with a truffle design of inlayed leather each with a sheet of handmade paper made from mushrooms with truffle slices.
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Histoire Naturelle des Champignons Comestibles et Veneneux
G. Sicard
Paris: Librairie Ch. Delagrave, 1883.Natural History of Edible and Poisonous Mushrooms by Guilleaume Sicard. Rebound in plain cloth with the plates in a second volume. VOLBRACHT 1981.
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Histoire des Champignons, Comestibles et Veneneux, .. Avec un Atlas
Joseph Roques
Paris: Chez Fortin, Masson et Cie, 1841.[History of edible and poisonous mushrooms, decorated with colored figures representing the main species in their natural dimensions; where we expose their distinctive characteristics, their nutritional and economic properties, their harmful effects and the means of guaranteeing or remedying them, a useful work for mushroom lovers, doctors, naturalists, rural owners, mayors of cities and countryside, etc.] The second edition of one of the most important (and beautifully illustrated) early works on edible wild mushrooms and fungi in France. VOLBRACHT 1793.2. The atlas with 3 additional colour plates (1 folding) from two other works bound in at the beginning.
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Les Champignons Toxiques et Hallucinogenes
Roger Heim
Paris: Societe Nouvelle des Editions Boubee, 1978.Toxic and Hallucinogenic Mushrooms. Published with the assistance of the National Centre for Scientific Research. The Second Edition, completely revised and expanded.
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La Psilocybine (Experiences et autocritique): Revue de Mycologie Tome XXV, Fasc 1, 15 Juin 1960
Roger Heim; Henri Michaux
Paris: Laboratoire de Cryptogamie du Museum National d’Histoire Naturelle, 1960.Single number of the Revue de Mycologie with a feature article by Henri Michaux on psilocybin.
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Atlas des Champignons Comestibles et Veneneux de la France et des pays Circonvoisins
Charles Richon; Ernest Roze
Paris: Octave Doin, 1888.Atlas of edible and poisonous mushrooms of France and surrounding countries containing 72 color plates or figures of 229 types of the main species of mushrooms sought for food, and similar suspect or dangerous species with which they are confused drawn from nature with their reproductive organs amplified by Charles Richon… Accompanied by a monograph of these 229 species and a general history of edible and poisonous mushrooms by Ernest Roze… Text illustrated with 62 photoengravings of primitive drawings by old authors and organographic figures by recent authors after reproductions made by Charles Rolet. Key late 19th century work of French mycology. VOLBRACHT 1753. BITTING pg. 398. This copy with the bookplate of French mycologist Raymond Bertault.
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L’Erotomanie: Illusion Delirante d’Etre Aime
Gaston Ferdiere
Paris: G. Doin & Cie, 1937.Study of erotomania by French psychiatrist Gaston Ferdiere (1907-1990). Ferdiere was close to a number of the Surrealist circle of artists and was the head of psychiatry at the asylum where Antonin Artaud underwent electroshock therapy. This copy inscribed by Ferdiere to the French artist Georges Hugnet, also with a manuscript letter from Ferdiere to Hugnet with the original postmarked envelope and the original prospectus laid in.
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Ah! Nana (Complete Set, 9 Issues)
Janic Guillerez; Marjorie Alessandrini; Anne Delobel; et al.
Paris: Les Humanoides Associes, 1976-1978.Complete set of the French women’s comic magazine Ah ! Nana which evolved out of and was published by the comic book publishing house of Moebius (Jean Giraud), Jean-Pierre Dionnet, Philippe Druillet, and Bernard Farkas, Les Humanoides Associes. During a staff lunch of their magazine Metal Hurlant (the original of the English adaptation Heavy Metal), Jean-Pierre suggested to the women present (including his wife Janic Guillerez who became chief editor of Ah! Nana) to create a women’s magazine and feminist newspaper. Ah!Nana ran for nine issues, each with its own theme, coming to a short end following the magazine being banned to minors after the publication of the eighth issue devoted to homosexuality. This led the editorial team to go all in on the ninth and final issue, devoting it to incest, leading to the French censorship Commission banning the publication, labelling it pornographic.
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BEV. Blad van Eva: de boom der vergetelheid afgerukt (5 Volumes)
Leonie Greefkens
Amsterdam: BEV, 1988-1989.A complete set of the 1980s Dutch erotic journal for heterosexual women. Edited by Leonie Greefkens with art design by Willem de Ridder, Paul Kooiker, Henk tur Kulve, and Maud Vink. Numerous contributors of erotic photography, text, and comics.
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Ecole Pratique des Accouchemens.
J. B. Jacobs
A Gand: Chez J. F. Vander Scheuren, 1785.First French translation of the important Dutch obstetrics manual by Jan Bernard Jacobs (1734-1790). At the time of its appearance, it was one of the most complete treatises on the art of childbirth and remained a standard work into the middle of the nineteenth century being described as a pearl of scientific production from the last years before the French Revolution.