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Lewis Morley
Judy Annear; Lewis Morley
Sydney: The Art Gallery of New South Wales, 2006.Exhibition catalogue. With an essay by Barry Humphries.
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Slightly Dangerous
John Ogden
Sydney: Cyclops Press, 2013.A pictorial exploration of the photographers inspirations and influences in the second half of the 20th century. This copy inscribed by the author.
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Island Maidens: The Photography of David Betts
David Betts
Croydon: Creative Monochrome, 1995.Nude photography of female models taken on the Isle of Wight.
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Death of an Alchemist
Michael Prior
Melbourne: Prior Art, 2019.A short compendium of photo-alchemical works chronicling the photographer’s passage toward the void. The final published work by experimental photographer Michael Prior documenting the effects of advanced myeloma on his body through alternative photographic processes. The works are arranged into three themes: Shades of the Alchemist; Garden Images. The Premonitory Return to Nature; The Hospital Room and its Uncanny Inhabitants. Each image has an accompanying commentary relating to the individual image as well as the broader themes, technical and philosophical, which underlie their creation. An accompanying exhibition was held at Fox Darkroom & Gallery, 16 February – 3 March 2019. Prior passed away in May of that year. Preface by Ellie Young. Editing by Dr Dianne Clifton and Richard Freadman. Elegantly bound by Nikola Doslov of Renaissance Bindery. Unrecorded in OCLC or Trove. This copy inscribed by Prior.
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The Forgotten Frames: A Photographic Voyage with the People of Bastar
Manoj Kumar Jain
[Uttar Pradesh]: Manoj Kumar Jain, 2014. -
Paradeisos
Christopher Koller
Melbourne: M.33, 2011.“Produced over a period of 12 years, Christopher Koller’s plastic camera photographs of gardens and otherwise mediated greenery forge a very different atmosphere to what one would expect from such subject matter. Warped, stretched and almost affronting in their blurred optical qualities, the images that fill Paradeisos are vivid and almost visceral in their odd beauty.” (publisher’s blurb)
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Open Shutters Iraq
Eugenie Dolberg
London: Trolley, 2010.“This book is a collection of individual photographs and photographic essays made by women from Baghdad, Basra, Falluja, Kirkuk and Mosul in 2006/7. These women were not photographers or writers, but were brought together by their need to tell their stories.” (from preface)
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Sarah Lucas: 4.2 – 31.3.1996
Sarah Lucas
Rotterdam: Museum Boymans van Beuningen, 1996.Catalogue for an exhibition by English contemporary artist Sarah Lucas. This copy from the collection of photographer Lewis Morley, with the Lewis and Patricia Morley Library exlibris plate.
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Saltwater People of the Broken Bays: Sydney’s Northern Beaches
John Ogden
Sydney: Cyclops Press, 2011.A focused look at the shorelines of northern Sydney, New South Wales, and the people who inhabit them, from ancient times through to modern surfing.
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Wilderness Collections: Swan Song
Rodney Lough Jr.
Happy Valley, Oregon: The Lough Road, 2016.Nature / wilderness landscape photo book.
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Small Town
Christopher Young
Perth: Christopher Young, 2015.Photo book of a small New Zealand village by New Zealand born Perth based photographer Christopher Young.
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Blush: Janina Green: Photographs, 1988-2010
Janina Green; Sofia Ahlberg
Melbourne: M.33, 2011.“Blush brings together strands of Janina Green’s practice from 1988 to the present. The obsessions and themes underpinning her work meander together in a dreamlike stream of consciousness to form a whole which is simultaneously delicate, intimate, sensual and faintly disconcerting. Green’s lyrical hand coloured portraits of young adults and images from the natural world sit beside her constructed photographs of domestic dysfunction and constructed narrative images dealing with childhood, motherhood, female friendship and fantasy. Running throughout are small punctuations of tiny moments of fragile beauty.” (publisher’s blurb)
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Landscape, 2007 – 2014
Piyatat Hemmatat
[Chicago]: Serindia Contemporary, 2015.“LANDSCAPE 2007-2014 by Piyatat Hemmatat is a limited edition (of 500) artist’s book of his Landscape series in which for the last seven years he explored ‘his alternate reality’, the landscape. His exploration of nature has informed many of his published projects and has enabled him to get back in touch with his instincts and derive creative strength from them. LANDSCAPE is a collection of his most illuminating encounters that translated into a stunning selection of thirty landscape photographs in this beautifully-produced artist’s edition volume.” (publisher’s blurb)
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Portrait of a People: The Tiwi of Northern Australia
Heide Smith
Narooma: Hobbs Point Publishing, 2008. -
Saltwater People of the Broken Bays / Fatal Shore: Sydney’s Northern / Southern Beaches (2 Volumes)
John Ogden
Sydney: Cyclops Press, 2012.The slipcased issue of both volumes, together encompassing a focused look at the shorelines of Sydney, New South Wales, and the people who inhabit them, from ancient times through to modern surfing.
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Daughters
Margaret M. de Lange
London: Trolley, 2009.“Fifteen years ago Norwegian photographer Margaret M. de Lange was at home looking after her two young daughters. She soon picked up her camera and began to photograph what came a natural subject matter to her – her daughters.” (from back cover)
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Cactus: Surfing Journals from Solitude
Christo Reid
Forresters Beach: Strangelove Press, 2010.Illustrated history of surfing in South Australia.
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The Language of Oysters
Robert Adamson; Juno Gemes
Sydney: Craftsman House, 1997.Photo and poetry book on the lives of the oyster farmers on the Hawkesbury River, New South Wales. This copy inscribed by the photographer, Juno Gemes.
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Leros
Alex Majoli
London: Trolley, 2002.Debut photo book by Magnum photographer Alex Majoli documenting the psychiatric hospital on the Greek island of Leros.
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Nature Boy
Brad Rimmer
Sydney: T&G Publishing, 2019.“Nature Boy is a sequel to Australian photographer Brad Rimmer’s monograph Silence (2009). Probing at the essence of rural Australia and the emotional impact of the natural landscape upon individual psyches. Rimmer this time adds stories to the compendium. The raw, yet poetic narratives conjure the late adolescent years of a lad wrestling with whether to stay or leave his remote country homeland for the lure of the city and so much more. A coming-of-age account, the elegant mix of observation and heartfelt reminiscence are almost autobiographical, and hint to the nascent sensibilities of the young Rimmer as an artist.” (publisher’s blurb)