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Dreamboys: A Special Issue of Blue
Marcello Grand
Sydney: Studio Magazines, 2000.The first instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Lovers
Ben Robertson
Sydney: Studio Magazines, 2004.(not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others. This special issue features focussing on depictions of male lovers
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2Blue: A Special Issue of Blue
Marcello Grand
Sydney: Studio Magazines, 2004.2Blue explores the many facets of male coupling, from sex and friendship to romance and play. Be they partners, lovers or friends, the pairs in 2Blue reflect the breadth of relationships between men around the world. In this volume, 58 photographers interpret the bonding theme with artistic rigour and sensitivity. A lingering kiss, a rough embrace, a moment of anticipation – all are captured with an eye for passion and emotional honesty. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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The Bear Cult
Chris Nelson
London: Editions Aubrey Walter, 1994.Nude black and white homoerotic photography.
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Uncovered: Rare Vintage Male Nudes
Reed Massengill
New York: Universe Publishing, 2009.Collection of pre-Stonewall photography by Antonio Arabia, John S. Barrington, Earle Forbes, Robert Galster, Frederick Kovert, Plato, George Platt Lynes, Al Urban, Vulcan, and Don Whitman.
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Baron Wilhelm von Gloeden, 1856 – 1931
Jonathan Turner; Wilhelm von Gloeden
Sydney: Martin Browne Fine Art, 1999.Baron Wilhelm von Gloeden, 1856 – 1931 with works by Vincenzo Galdi, Guglielmo von Pluschow, Robert Mapplethorpe, Herb Ritts, Bruce Weber, and Nino Longobardi. A catalogue of works curated and with a lengthy essay by Jonathan Turner.
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My Wife
Petter Hegre
Zurich: Edition Stemmle, 2001.Photo series by Norwegian photographer Petter Hegre of his Ukranian wife Luba Shumeyko. Includes an interview in English with Thomas Bodmer
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Belfast Punk: Warzone Centre, 1997 – 2003 (Deluxe Edition)
Ricky Adam
Bologna: Damiani Editore, 2017.The deluxe edition, limited to 15 copies, with an original signed and numbered photograph by Ricky Adam. “The Warzone Collective began in 1984 in Belfast, Northern Ireland, when a few local punks decided to consolidate their efforts and find their own venue, practice, and social space. In 1986, the Collective opened Giros, its first premises in Belfast, which contained a vegetarian cafe, practice space, and screen printing facilities. It soon became a focal point for anarchists and punks. In 1991 the Collective moved Giros to a larger and more ambitious venue, the spot where all of the photographs in this book were taken. Over the years, thousands of people passed through Giros’ doors. A strong D.I.Y. ethic defined the way gigs and events were organized. It didn’t have an alcohol license, and it was an all ages venue. The Warzone Centre, or The Centre as it was called by some, became the countercultural hub for the greater Belfast area and beyond. Bands from all over the world played there, and it was famous for being one of the best in Europe for D.I.Y. punk. The photographs in this book were taken between 1997 and 2003. Toward the end of 2003, the Centre closed, leaving a huge gap in radical Belfast culture. It reopened in 2011, in a different venue on the opposite side of town and is still going strong today.” (publisher’s blurb)
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Boystown: La Zona de Tolerancia
Bill Wittliff
New York: Aperture Foundation, 2000.Photo essay of the brothels along the border of Texas and Mexico collected and edited by Bill Wittliff. With essays by Keith Carter, Dave Hickey, and Cristina Pacheco.
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Photographs
Bill Henson
Sydney: Picador / Pan Books, 1988.With an introduction by David Malouf.
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Seeing & Being Seen
William Yang
Brisbane: Queensland Art Gallery / Gallery of Modern Art, 2021.The deluxe edition, limited to only 50 copies signed by the artist with a limited edition archival inkjet print Golden Summer 1987 / 2016 by William Yang, printed on Hahnemuhle Smooth Cotton Rag paper. The print is signed, titled, dated and editioned by the artist in ink, and mounted inside the upper board in a mylar sleeve housing. “William Yang: Seeing and Being Seen explores photographer and performer William Yang’s five decades of prolific art practice. This is the first major survey exhibition and publication on the artist by a state gallery. Featuring reproductions of over 200 photographs, it traces Yang’s career from his heady early days as a social photographer in the 1970s documenting Sydney’s queer scene through to some of his well-known series addressing family ties, sexual and cultural identity, and the Australian landscape. Developed in collaboration with the artist, the publication also examines the artist’s deep connections to Queensland, including his mid-career explorations of growing up in the far north of the state.” (publisher’s blurb)
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The Australian Native Bear Book: Photographic Studies by Cazneaux
[Harold] Cazneaux
Sydney: Art in Australia, 1930.Photos of Koalas and with two woodcuts by Margaret Preston. MUIR 1348.
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Finding Your Family Photographs: Major Photographic Collections of Aboriginal People in Western Australia
The Centre for Indigenous History and the Arts
Perth: The Centre for Indigenous History and the Arts, The University of Western Australia, 1999. -
Ben Westwood
Ben Westwood
Tokyo: E. T. Insolite, 1999.“A celebration of femininity — fetish photography by Ben Westwood, the son of British fashion designer Vivienne Westwood. The first monograph of the new star of U.K. fetish photography, Ben Westwood, is full of fetish and chic costumes from “Agent Provokature,” the cultic lingerie shop that his beloved brother runs. This is his first photo collection. Many erotic photos of women posing provocatively in lingerie and fetish gear. Some partial nudity, a little full nudity.” (publisher’s blurb)
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Bees of Australia: A Photographic Exploration
James Dorey
Melbourne: CSIRO Publishing, 2018. -
Flesh: The Gold Coast in the 1960s, 70s and 80s
Graham Burstow
Brisbane: University of Queensland Press, 2014.Photography of Queensland’s Gold Coast in the second half of the 20th century. Lots of beach and bums.
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Tragedia Slovenskych Zidov: Fotografie a Dokumenty
Lev Haas; Stefan Engel; Bedrich Steiner
: USZNO, 1949.The Tragedy of the Slovak Jews: Photographs and Documents. Primarily illustrations, depicting the horrors of the holocaust.
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My Uncle’s Murder
William Yang
Brisbane: Andrew Baker Art Dealer, 2009.Exhibition catalogue for a series of works recounting the story of Yang’s Chinese uncle being shot by the white manager on a North Queensland cane farm.
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Natures Mortes
Michael Cook
Brisbane: Andrew Baker Art Dealer, 2021.Catalogue for Cook’s final solo show at Andrew Baker.
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Broken Dreams
Michael Cook
Brisbane: Andrew Baker Art Dealer, 2012.Catalogue for Cook’s first international exhibition, held at October Gallery, London.