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What We Could Have Become: Reflections on Queer Feminist Filmmaking
Malu Blume
[Eindhoven]: Onomatopee, 2021.“The publication What we could have become explores the radical potentials of care and speculative fiction in the context of queer feminist collective filmmaking. Departing from the experimental short film The Book of S of I (2020) by Malu Blume, this publication is a documentation of the film project just as much as its own artistic medium. Using a performative mode, it weaves together film stills with unreleased set photography, creating a visual narration that reflects caring and kinship through a queer feminist — and femme — lens. With a foreword by editor Sascia Bailer, the booklet contains a transcript of the film’s narrative voice over and an essay on queer utopian care in the context of The Book of S of I and its making, both written by the artist Malu Blume. The publication concludes with a conversation between Malu Blume and their co-producers, friends and artistic collaborators Ipek Hamzaoglu, Laura Nitsch and Sophie Utikal, moderated by Sascia Bailer. In this conversation the artists and discuss the chances and challenges of collective film making in the context of producing The Book of S of I.” (publisher’s blurb)
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Post-Butt: The Power of the Image
Melani De Luca
: Onomatopee, 2019.“Post-Butt analyses the virality of images in our mediated society. It is a case study around the image of female butts, bootys, and behinds, and their influence in media, society and art. The butt is the protagonist of mass-mediated culture, it is the democratic sex organ par excellence. The phenomenon of bootyfication exists in many contexts, as varied as the exploitation of the body in colonialism to 90s hiphop culture. Post-Butt goes through different periods in time and place, to analyse the political meaning of the usage of the image of the female buttocks. It discusses the role of the booty in varied cultural expressions such as film, Internet art, music videos, dance and plastic surgery; and aims to reflect on how our society is conditioned by viral images that do not only exist in the digital context, but have deep consequences on our physical world as well.” (publisher’s blurb)