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Genshoku Nihon no Bijutsu 4 [Primary Colours of Japanese Art 4: Shosoin]
Terukazu Akiyama
Tokyo: Shogakkan, 1968. -
Genshoku Nihon no Bijutsu 1 [Primary Colours of Japanese Art 1: Ancient Japanese Art]
Terukazu Akiyama
Tokyo: Shogakkan, 1970. -
Parade No. 1331, 12th June 1965
City Magazines
London: City Magazines, 1965.Single issue of the weekly British men’s magazine, Parade. This issue with a feature “Scourge of the Ku Klax Klan” by George Howard.
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Decorative Arts: From the Middle Ages to the Renaissance: The Complete Plates
Carl Becker
Koln: Taschen, 2011. -
Photo No. 274: Special Australie
Eric Neveu
Paris: Filipacchi, 1990.Special issue of French photography journal PHOTO on Australia. Includes features on Rennie Ellis, William Yang, Max Dupain, Grant Matthew, David Moore, Emmanuel Angelicas, Elle McPherson, lots of historical and contemporary studies of Aboriginals and outback life, and more.
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Thorsbjerg Mosefund. Beskrivelse af de Oldsager, som i aarene 1858-61 ere udgravede af Thorsbjerg Mose ved Sonder-Brarup i Angel; et Samlet Fund,
Conr. Engelhardt [Helvin Conrad Engelhardt]
Kjobenhavn: I Commission Hos G. E. C. GAD, 1863...henhorende til den aeldre jernalder og bevaret i den kongelige samling Af Nordiske Oldsager I Flendsborg. A description of the antiquities, which in the years 1858-61 were excavated by Helvig Conrad Engelhardt at Thorsberg moor
in Anglia, a peat bog in which the Angles made votive offerings between 100 B.C. to A.D. 500, approximately. The finds are now on display in the State Archaeological Museum at Gottorf Castle. A scarce and important work of Iron Age archaeology with 18 copperplate engravings by J. Magn. Petersen. -
Biting The Clouds: A Badtjala Perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897
Fiona Foley
Brisbane: University of Queensland Press, 2020.“In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari. Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.” (publisher’s blurb)
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Practical Information on the Use and Care of Wire Rope
A. Leschen and Sons Rope Co.
St. Louis: A. Leschen and Sons Rope Co., 1927.Detailed guide to the correct usage of wire rope by American ropery A. Leschen and Sons Rope Co.
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Picture Park
Katharina Grosse
Brisbane: Queensland Art Gallery, 2007. -
Caught in the Act: A Memoir
Shane Jenek AKA Courtney Act
Sydney: Pantera Press, 2021.“Boy, girl, artist, advocate. Courtney is more than the sum of her parts. Meet Shane Jenek: Raised in the Brisbane suburbs by loving parents, Shane realises from a young age that he’s not like all the other boys. He finds his tribe at a performing arts agency, where he discovers his passion for song, dance and performance. Shane makes a promise to himself- to find a bigger stage. Meet Courtney Act: Born in Sydney around the turn of the millennium, Courtney makes her name in the gay bars of Oxford Street and then on Australian Idol. Over ten years later, she makes star turns on RuPaul’s Drag Race and Celebrity Big Brother UK, bringing her unique take on drag and gender to the world. Behind this rise to national and global fame is a story of searching for and finding oneself. Told with Courtney’s trademark candour and wit, Caught in the Act is about our journey towards understanding gender, sexuality and identity. It’s an often hilarious and at times heartbreaking memoir from a beloved drag and entertainment icon. Most of all, it’s a bloody good time. (publisher’s blurb)
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…but never by chance… (eroticism)
Linda Marie Walker
Adelaide: Experimental Art Foundation, 1992.Contributing artists: Lesley Stern, Brigette Carcenac de Torne, Merryn Gates, Rosslynd Piggott, Carol Rudyard, Melanie Howard, Brenda Ludeman, Anna Gibbs, Jennifer Hamilton, Sheridan Kennedy, Bronia Iwanczak, Tobsha Learner, Jyanni Steffensen, Helen Grace, and Rosemary Laing.
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Mao’s Bestiary: Medicinal Animals and Modern China
Liz P. Y. Chee
Durham and London: Duke University Press, 2021.“A history of the rising use of “medicinal animals” in modern China. While animal parts and tissue had been present in Chinese medicine from an early date, the book argues that their role in the Chinese pharmacopiea greatly expanded and became systematized in the changed political and economic circumstances of the early Communist period. Mao’s Bestiary is the first book to place medicinal animals squarely within the historiography of Chinese medicine. In an age of controversy over the ethics and efficacy of faunal medicalization, its perpensity to foster zoonotic diseases and its devastating effect on wildlife conservation in China and worldwide, the book contributes a much-needed historical perspective, explaining the modern origins of what is too casually taken to be traditional practice” (publisher’s blurb)
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Missile Park
Yhonnie Scarce
Brisbane: Institute of Modern Art, 2021.“Yhonnie Scarce: Missile Park is the first survey exhibition of leading contemporary artist Yhonnie Scarce, and brings a major new commission into dialogue with work that spans the past fifteen years of the artist’s career. Scarce’s works in this survey reference the on-going effects of colonisation on Aboriginal people, responding to research into the impact of nuclear testing and the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Born in Woomera, South Australia in 1973, Scarce belongs to the Kokatha and Nukunu peoples, and family history is central to Scarce’s works in this show. This survey also includes major works that engage with the disciplinary forms of colonial institutions and representation-religion, ethnography, medical science, museology, taxonomy-as well as monumental and memorial forms of public art and remembrance.” (publisher’s blurb)
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Making Art Work
Llewellyn Millhouse; Liz Nowell; Tulleah Pearce; Sarah Thomson
Brisbane: Institute of Modern Art, 2021.“This publication documents an initiative of the Institute of Modern Art, Making Art Work which proposed an experimental role for the institution as administrators of economic stimulus for artists. Taking place across 2020–during and post [COV..]-19 lockdowns–the project saw over 40 artists commissioned to create new works that reinforced the importance of creative labour at a time when the cultural and economic value of art had been diminished. Drawing from the politicised language of the crisis, each artist responded to the provocations posed by four curatorial pillars; Unprecedented Times, Industrial Actions, Permanent Revolution, and Relief Measures. Artist commissions spanned objects, texts, workshops, ephemeral projects, and more with the outcomes presented via makingart.work, and at the IMA Belltower. This publication complies these artworks alongside new essays from Sophia Nampitjinpa Sambono, Ian Were, Sarah Werkmeister, and Yen-Rong Wong, and a foreword from IMA staff Llewellyn Millhouse, Liz Nowell, Tulleah Pearce, and Sarah Thomson to create a document celebrating Queensland art and artists. Making Art Work commissioned artists included: Tony Albert, Kieron Anderson, Mariam Arcilla, Maeve Baker, Richard Bell, Mia Boe, Hannah Brontë, Michael Candy, Emil Cañita, Jacquie Chlanda, Monika Noémi Correa, Merinda Davies, Julian Day, Digi Youth Arts, ?ggve|n, Ana Paula Estrada, Chantal Fraser, Hannah Gartside, Mindy Gill, Channon Goodwin, Kinly Grey, Daisy Hamlot, Susan Hawkins, Rachael Haynes, Gordon Hookey, Natalya Hughes, Inkahoots, Peter Kozak, Jenna Lee, Mia McAuslan & Jon Tjhia, Amelia McLeish, Archie Moore, Tori-Jay Mordey, Sally Olds, Steven Oliver, Sarah Poulgrain, Refugee Solidarity Meanjin, Angelica Roache-Wilson, Amy Sargeant, Shandy, Jacqui Shelton, Des Skordilis, Hannah Smith, David Spooner, Grant Stevens, Tyza Stewart, and Liesel Zink.” (publisher’s blurb)
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An Inquiry into the Causes and Effects of the Variolae Vaccinae, a Disease Discovered in some of the Western Countries of England, Particularly Gloucestershire, and Known by the Name of The Cow Pox
Edward Jenner
Sydney: Thomas Richards, Government Printer, 1884.The 1884 Australian reprint of one of the seminal works of medicine, Edward Jenner’s pioneering work on the creation of the smallpox vaccine, the world’s first vaccine. Published in the wake of Sydney’s 1881 smallpox outbreak as part of a renewed push in what was a long and unsuccessful campaign by New South Wales medical practitioners for mandatory vaccination, when by 1860, Queensland and New South Wales were the only Australian colonies not to have enacted such legislation. Reprinted from Australian physician George Bennett’s copy of the Second Edition published by Sampson Low in 1800 and containing the second and third parts, while stated in the preface (likely penned by John Creed) to be “a perfect fac simile”, differs from the original edition in that it is “printed in a later and slightly larger type, in which the old “s” form does not appear. The half-title is omitted, and the title page, though a fairly close reproduction of the original, bears in small type a job number of the local printer. On the reverse of the title, blank in the original, appears “Reprinted by Authority: Thomas Richards, Government Printer, Sydney, 1884. A preface occupying a single page is inserted, and this, with the differences in type, alter the pagination. As in the original, a second part “A Continuation of Facts and Observations Relative to the Variolae Vaccinae”, with its own half-title and title pages, is included. The four coloured engravings are well reproduced in lithograph, the artist’s and engraver’s names being omitted. The text has been corrected from the errata page of the original, which is not included.” (The Sydney Reprint of Jenner’s Inquiry, Edward Ford, FERGUSON 10930, FORD 1052)
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The Beverly Malibu
Katherine V. Forrest
London: Pandora Press, 1990.A Kate Delafield Mystery.
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Chautauqua
Catherine Ennis
Tallahassee: The Naiad Press, 1993. -
Silverlake Heat: A Novel of Suspense
Carol Schmidt
Tallahassee: The Naiad Press, 1993. -
Cherished Love
Evelyn Kennedy
Tallahassee: The Naiad Press, 1988. -
Delia Ironfoot
Jeane Harris
Tallahassee: The Naiad Press, 1992.