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The Designer’s Guide: Easton Pearson Archive
Renai Grace; Madeleine Johns; Alice Payne; Pamela Easton; Lydia Pearson
Brisbane: Museum of Brisbane, 2018.Produced to accompany the exhibition at the Museum of Brisbane, 23 November, 2018 – 22 April, 2019.
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The Other Side of the Picture
Olivier Theyskens
New York: Assouline Publishing, 2009.Photographs by Julien Claessens. Introduction by Sally Singer.
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Tasmania’s Bygone Years of Road Transport (3 Volumes)
L. J. Morley
Hobart: Wellington Bridge Press, No date.Volume 1: 1900-1929; Volume 2: 1930-1939 (Second Edition); Volume 3: 1940-1950.
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Cage: A New Series of Assemblages and Collages
Betye Saar
New York: Michael Rosenfeld Gallery, [2010].Exhibition catalogue November 6 – January 15, 2011.
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Allen Curnow Simply by Sailing in a New Direction: A Biography; Allen Curnow: Collected Poems (2 Volumes)
Terry Sturm; Linda Cassells; Elizabeth Caffin
Auckland: Auckland University Press, 2017. -
The Anwar-i-Suhaili or Lights of Canopus Commonly Known As Kalilah and Damnah
Arthur N. Wollaston
London: Wm. H. Allen & Co., 1877.Being an adaptation by Mulla Husain Bin Ali Al Wai’z-Al-Kashifi of The Fables of Bidpai. Translated from the Persian by Arthur N. Wollaston. The 1877 English translation by Arthur Naylor Wollaston (1842-1922) of the Persian version of the Panchatantra, an ancient collection of animal fables. Wollaston began work as a civil servant in the India Office at age 16 going onto become registrar. He was also an ardent Persian scholar, translating this work, as well as compiling an English-Persian Dictionary in 1882.
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Shan Tung Pictorial
Takayoshi Yamashita
Qingdao: Aoshima Souvenir Museum, 1940.Japanese souvenir photobook of Shandong Province, China, produced during the second Japanese occupation of Tsingtao (Qingdao). Photographs are captioned in English and Japanese and depict the people, the city, and surrounding landscapes and temples, as well as battle relics of the first occupation during WWI, and important Japanese buildings. Rare, unrecorded in OCLC or CiNii.
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Dian Hanson’s: The History of Men’s Magazines (6 Volumes)
Dian Hanson
Koln: Taschen, 2022.Complete set of Dian Hanson’s history of 20th century men’s magazines,
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Dian Hanson’s: The History of Men’s Magazines (Volume 6): 1970s Under the Counter
Dian Hanson
Koln: Taschen, 2022.“In 1965, the first issue of Private magazine was published. Inside were full-color photos of pretty women blatantly displaying their genitals. [The publisher] Milton also included his opinions, which mainly covered the absurdity of sex photos being outlawed when the naked brutality of the Vietnam War was shown daily on TV and in the print media. With its frank attitudes and imagery, Private became the starting point of Swedish hardcore–though the hardcore was still to come. It is not far-fetched to say Private changed the entire face of international pornography.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 5): 1970s at the Newsstand
Dian Hanson
Koln: Taschen, 2022.“1967 was the year men’s magazines became pornography. Prior, there were pinup magazines and adventure magazines, art-photo magazines, nudist magazines, girlie titles and risque titles, over-the-counter and under-the-counter, top shelf and bottom shelf, spicy, saucy, sparkling and seedy titles. But the day Berth Milton Sr. walked into a session of Swedish Parliament with photos of actual sexual intercourse and announced he was going to publish them in his magazine Private, pornography was born.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 4): 1960s Under the Counter
Dian Hanson
Koln: Taschen, 2022.“The new publishing companies started in Hollywood then expanded into the San Fernando Valley, the first settlers in what would become the world capitol of porn production. American Art Agency, commonly called Parliament, was the leader, but Art Enterprises, Comet, Dominion, Marquis, Marst, Orbit, Pendulum, Press Arts, Rilgac, Sari, Spice, Tri-S, Tower, Utopia and many others contributed memorable magazines. The East Coast got into the game late with Sampson and Delilah Publishing, Health Knowledge, and Lenny Burtman’s Selbee Associates out of New York, and the distinctive Tudor House/Central Sales from Baltimore, but overall, California ruled.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 3): 1960s at the Newsstand
Dian Hanson
Koln: Taschen, 2022.“Around 1960 Hugh Hefner began exporting Playboy. It was an immediate success overseas and by mid-decade most of Europe had adopted the Playboy blueprint for its own men’s magazines. From France came Lui, from Italy Playmen. England made King, Germany Eden. The only serious challenge to Playboy’s dominance came when Penthouse from newly hip London in 1965, taking the grittier stance of the Rolling Stones to Playboy’s Beatles. From 1966 on Penthouse was copied regularly as Playboy, resulting in English Mayfair and Men Only and Italian Excelsior, Men, 10 and numerous others. Italy was especially taken with the Penthouse model, since publisher Bob Guccione was a paisano himself, but even Germany’s most venerable men’s magazine, Er, eventually restyled in Penthouse hipster mode. Soon these “lifestyle” men’s magazines, those that covered fashion, food, travel and entertainment as well as sex, were the only titles available on European newsstands. Playboy’s overseas influence was a stunning victory for Hefner, but it came at the expense of the more culturally distinctive magazines made in France, Germany and England prior to 1960.” (from introduction)
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Dian Hanson’s: The History of Men’s Magazines (Volume 2): Post-War to 1959
Dian Hanson
Koln: Taschen, 2022.“Sex publishing has always been a battleground. On the one hand there were men, mentally and physically hardwired to respond to erotic images. On the other hand, other men, determined to deprive the first group of what they naturally desired. The first two volumes tracing the history of men’s magazines are about the struggle between lust and taboo, beginning with the first bare French breasts in 1880 and ending with bare American breasts in 1958.” (from author’s introduction to Volume 1)
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Dian Hanson’s: The History of Men’s Magazines (Volume 1): 1900 to Post-WWII
Dian Hanson
Koln: Taschen, 2022.“Sex publishing has always been a battleground. On the one hand there were men, mentally and physically hardwired to respond to erotic images. On the other hand, other men, determined to deprive the first group of what they naturally desired. The first two volumes tracing the history of men’s magazines are about the struggle between lust and taboo, beginning with the first bare French breasts in 1880 and ending with bare American breasts in 1958.” (from author’s introduction)
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Kanemitsu: California Visions: Selected Paintings, 1976-1984
Matsumi Kanemitsu
Beverly Hills: Louis Newman Galleries, 1984.Exhibition catalogue of Japanese-American painter Matsumi Kanemitsu (1922-1992) at Louis Newman Galleries, June 15-30, 1984.
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Contempo: This American Tempo
John Vassos; Ruth Vassos
New York: E. P. Dutton & Company, 1929.John Vassos, American artist and industrial designer, was a pioneer of the art deco style, creating shapes and designs for radio, television, computer, and broadcasting equipment for nearly four decades. Contempo is credited with launching his career as a modern artist and showcases his geometrical, cubist, and constructivist style, accompanying his wife Ruth Vassos’ textual critique of post-war American society. This copy inscribed by John Vassos to Louis Lazarus.
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A White Genocidal Assimilationist Bitch Speaks
Kathleen Mary Fallon
[Sydney]: Polar Bear Press, 2023.“This second publication in the Queensland School Reader series continues Fallon’s reconciliation dialogues telling intimate stories of her forty years as the lesbian foster mother of a Torres Strait Islander with disabilities. This was during the lesophobic decades when the boy would have been immediately removed from her care if the Authorities had discovered her lesbianism. Her stories are angry, tragic, darkly humorous, sometimes just plain snarky and gossipy. Ranging geographically from Brisbane to Sydney to London and ranging temporally over those forty year they are personally, politically, socially and culturally informative and candid snap shots of those times. There is an urgency about these stories and they need to be told.” (author’s blurb)
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Bruce Lee & JKD Magazine No. 7
Bruce Lee
Hong Kong: Bruce Lee Jeet-kune-do Club, [1977].A large colour poster with interviews, articles, and photographs on the films and martial arts of Bruce Lee to verso. Includes essay by Chih Yao-chang, assistant director of The Way of the Dragon and The Game of Death. A facsimile signed photograph print laid in
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The Various Contrivances by Which Orchids are Fertilised by Insects
Charles Darwin
London: John Murray, 1890.Darwin’s first published work after the Origin of Species, providing evidence supporting his theory of evolution through natural selection. Darwin believed this volume tackled the question of design in nature. He maintained that the complex internal arrangements and ornate ridges of orchids were not created for the sake of beauty, but for the functional purpose of facilitating reproduction. This copy with the advertisements dated June, 1897, and from the collection of the former Premier of Queensland, Sir Thomas McIlwraith, with his embossed stamp.
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Where the Master Touched
Congo Missionaries of the Unevangelized Fields Mission
London: Unevangelized Fields Mission, 1950.Stories and documentation of the Unevangelized Fields Mission work in Congo in the between 1931 and 1949. At the time UMF had offices in London, Toronto, Philadelphia, and Melbourne. In 2004 UMF changed its name to Crossworld and continues its missionary work around the world. Scarce, 4 copies recorded in OCLC.