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Access Denied: A Bibliography of Suppressed Australian Literature
Geoffrey Cains
Sydney: Longueville Media, 2021.“Book collector and scholar Dr Geoffrey Cains wrote this groundbreaking bibliography of suppressed Australian books after frequently reading in rare book catalogues that certain books were ‘suppressed’. This word raised several questions: What lay behind the suppression? Who instigated it? And who benefitted from it? Over a period of thirty years, he sought out these books, delving into the circumstances of their suppression and collecting 184 that had a credible and interesting back story. Until Access Denied, there has not been a bibliography or even a listing of these works. They do not have catalogue entries in any of the state libraries in Australia. Indeed, there appears to be no international database of suppressed books in existence. Certainly, censored books are listed and have bibliographies devoted to them, but censorship is a state–based and politically driven action that, when modified by changing community standards and mores, may be relaxed over time. In contrast, suppression seeks to permanently remove a book from access by the average reader. Access Denied is the story of these near-invisible books.” (publisher’s blurb)
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A History of LGBTIQ+ Victoria in 100 Places and Objects
Graham Willett; Angela Bailey; Timothy W. Jones; Sarah Rood
Melbourne: Australian Queer Archives and Heritage Victoria, 2021.“A History of LGBTIQ+ Victoria in 100 Places and Objects was commissioned by Heritage Victoria to highlight the rich, diverse and unique history of queer communities in Victoria and to demonstrate how these communities are reflected in the places, objects and landscapes that surround us. Lesbian, gay, bisexual, transgender, intersex, queer, asexual, sistergirl and brotherboy (LGBTIQ+) people are, and always have been, an integral part of Victorian social, political and cultural life. However, the experiences and voices of queer communities have not commonly been included in the historical record and, consequently, queer heritage has remained largely invisible. This report identifies 100 places, objects and collections that have specific and unique meaning to Victoria’s contemporary queer communities. Identifying and exploring the meaning of these places, objects and collections to members of the LGBTIQ+ communities who have suggested them adds depth and richness to Victoria’s history and heritage. It also makes visible the stories and experiences of communities that have, until recently, been ignored and at times actively persecuted.” (publisher’s blurb)
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Modes of Sentience
Peter Sjostedt-Hughes
London: Psychedelic Press, 2021.Psychedelics, Metaphysics, Panpsychism. Essays exploring the “intersection of psychedelic experience with philosophy, the analysis of mind in relation to panpsychism, multiple dimensions of space, time, and other metaphysical matters. Keeping apace with the psychedelic renaissance in science and medicine, this collection proposes new philosophical models for discerning altered and alternate modes of sentience.” (publisher’s blurb) The out of print first hardcover edition.
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Seeing & Being Seen
William Yang
Brisbane: Queensland Art Gallery / Gallery of Modern Art, 2021.The deluxe edition, limited to only 50 copies signed by the artist with a limited edition archival inkjet print Golden Summer 1987 / 2016 by William Yang, printed on Hahnemuhle Smooth Cotton Rag paper. The print is signed, titled, dated and editioned by the artist in ink, and mounted inside the upper board in a mylar sleeve housing. “William Yang: Seeing and Being Seen explores photographer and performer William Yang’s five decades of prolific art practice. This is the first major survey exhibition and publication on the artist by a state gallery. Featuring reproductions of over 200 photographs, it traces Yang’s career from his heady early days as a social photographer in the 1970s documenting Sydney’s queer scene through to some of his well-known series addressing family ties, sexual and cultural identity, and the Australian landscape. Developed in collaboration with the artist, the publication also examines the artist’s deep connections to Queensland, including his mid-career explorations of growing up in the far north of the state.” (publisher’s blurb)
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Natures Mortes
Michael Cook
Brisbane: Andrew Baker Art Dealer, 2021.Catalogue for Cook’s final solo show at Andrew Baker.
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Always Remember: 40 Years – 40 Objects and Images from the AIDS Epidemic, 1981-2021
Geoff Allshorn
Melbourne: Clouds of Magellan Press, 2021.“A brief history of AIDS in Australia, expressed through forty objects and images – newspaper clippings, books, films, TV, music, memorials, activism and art. Not to mention badges and milk cartons. Allshorn tenderly recalls his own experiences and struggles. More broadly, Allshorn probes the meanings behind the many silences, exclusions and (mis)representation, while at the same time celebrating the heroic work of many ‘heroes of the epidemic’.” (publisher’s blurb)
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The Erotic Contemplative: Reflections on the Spiritual Journey of the Gay/Lesbian Christian
Michael Bernard Kelly
Melbourne: Clouds of Magellan Press, 2021.“In 1994, Michael Kelly recorded six video lectures for the Erospirit Research Institute, charting a spirituality for gay and lesbian Christians grounded in the contemplative, mystical traditions of the church. Joseph Kramer, who commissioned the lectures, writes, “His powerful words … seemed to come straight from his heart and right into mine. I told Michael that he was offering transformative guidance, like Joseph Campbell did in his Hero’s Journey. ‘You have described the Mystic’s Journey for Gay and Lesbian Christians. The lectures, released in 1995, were digitised and re-released in 2020. Now this transcription of the lectures is published for the first time, and includes a study guide to the series prepared by Michael Kelly.” (publisher’s blurb)
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WET
Jurgen Maelfeyt
[Ghent]: Art Paper Editions, 2021.“WET continues artist, designer and Art Paper Editions founder Jurgen Maelfeyt’s playful re-appropriations of retro erotic imagery.” Edition of 500.
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Les Diners de Gala
Salvador Dali
Koln: Taschen, 2021.“”Les diners de Gala is uniquely devoted to the pleasures of taste… If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.” (Salvador Dali). Food and surrealism make perfect bedfellows: sex and lobsters, collage and cannibalism, the meeting of a swan and a toothbrush on a pastry case. The opulent dinner parties thrown by Salvador Dalí (1904-1989) and his wife and muse, Gala (1894-1982) were the stuff of legend. Luckily for us, Dalí published a cookbook in 1973, Les diners de Gala, which reveals some of the sensual, imaginative, and exotic elements that made up their notorious gatherings. This reprint features all 136 recipes over 12 chapters, specially illustrated by Dalí, and organized by meal courses, including aphrodisiacs. The illustrations and recipes are accompanied by Dalí’s extravagant musings on subjects such as dinner conversation: “The jaw is our best tool to grasp philosophical knowledge.” All these rich recipes can be cooked at home, although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school, with meals by leading French chefs from such stellar Paris restaurants as Lasserre, La Tour d’Argent, Maxim’s, and Le Train Bleu. Good taste, however voluptuous, never goes out of fashion. In making this exceptionally rare book available to a wide audience, TASCHEN brings an artwork, a practical cookbook, and a multisensory adventure to today’s kitchens.The first English edition of Les Diners de Gala was published in 1973 by FELICIE, INC., New York.” (publishers’ blurb)
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A Garden of Eden: Masterpieces of Botanical Illustration
H. Walter Lack
Koln: Taschen, 2021.“In pursuit of both knowledge and delight, the craft of botanical illustration has always required not only meticulous draftsmanship but also a rigorous scientific understanding. This new edition of a TASCHEN classic celebrates the botanical tradition and talents with a selection of outstanding works from the National Library of Vienna, including many new images. From Byzantine manuscripts right through to 19th-century masterpieces, through peonies, callas, and chrysanthemums, these exquisite reproductions dazzle in their accuracy and their aesthetics. Whether in gently furled leaves, precisely textured fruits, or the sheer beauty and variety of colors, we celebrate an art form as tender as it is precise, and ever more resonant amid our growing awareness of our ecological surroundings and the preciousness of natural flora.” (publisher’s blurb)
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Two Sisters: a Singular Vision: Celebrating the Gifts of Margaret and Cathryn Mittelheuser
Chris Saines; Diane Moon
Brisbane: Queensland Art Gallery, Gallery of Modern Art, 2021.Catalogue of an exhibition at the Queensland Art Gallery 18 July 2020 – 31 January 2021.
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Psychedelic Justice
Beatriz Caiuby Labate; Clancy Cavnar
Santa Fe: Synergetic Press, 2021.Toward a Diverse and Equitable Psychedelic Culture.
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Archer Magazine 17: Home Issue
Amy Middleton; Roz Bellamy
Melbourne: Archer Magazine, 2021.A magazine about sex, gender and identity. The Home issue: Safety and self-care, queer mob, migrancy and belonging, housing and homelessness, chosen family, stripping and sex work, Q&A with Melissa Febos. Features articles on the theme of ‘home’, which can be a place, space, concept or feeling. The issue explores the many factors that influence our connection to home, such as relationships, family structures, race, culture, identity, class, poverty and homelessness, and includes a photo-essay about Black queer people’s connection to land and community, and a migrant writer experiencing pressures to assimilate.
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Bawdy Tales & Trifles of Devilries for Ladies & Gentlemen of Experience
Eugene Lepoittevin
Port Townsend: Feral House, 2021.“Commissioned by and for wealthy aristocrats for their private amusements, we introduce you to a selection of stories, poems, limericks, and bon mots assured to delight the most refined of connoisseurs. Complimented by rare erotic lithographs by renowned illustrator Eugene Lepoittevin. Lepoittevin’s Devils first appeared to acclaim in 1832. Originally, his devil was an impish troublemaker. At the behest of his publisher, he created a new series of lithographs featuring his devils ala erotique. The drawings are more humorous than titillating and reflect the sense of absurdity prevalent in European eroticism. Even so, the drawings were long banned in Europe and the United States, with the government going so far as to confiscate copies intended for the Kinsey Institute in 1956. The selection of writings is culled from humorous erotic pastiches and rare writing privately printed for exclusive collectors by underground publishers that have long been hidden in the Private Case of the British Library and the L’Enfer of the Biblioteque nationale du France. Bawdy Tales is designed with the collector in mind, utilizing vegan leather and gold embossing to simulate period morocco binding. Art Historian Sarah Burns introduces Lepoittevin’s work and career. Expert collector of written erotica, “Lady Fanny Woodcock” contributes a short history of the erotic book in Western culture.” (publisher’s blurb)
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Ad Reinhardt: Art is Art and Everything Else is Everything Else
Ad Reinhardt
Madrid: Fundacion Juan March, 2021.“The first monographic exhibition on the artist in Spain and one of the most complete surveys ever curated in Europe, this title illustrates Ad Reinhardt’s tremendous influence on Abstract Expressionism as well as subsequent contemporary art styles. This catalogue includes a selection of approximately 50 paintings and works on paper, spanning Reinhardt’s career from early works to later art characterised by a progressive reduction of colour and form. Reinhardt’s paintings are rarely representational and are instead composed of geometrics and eventually only colour: canvases of all red, all blue, all black. Another focal point of the volume is Reinhardt’s passions and artistic pursuits beyond painting, including his slides, writings on art, illustrations in newspapers, books, magazines and pamphlets, and his comics satirising the art world and politics.Ad Reinhardt (1913-67) was born in Buffalo, New York, and studied art history at Columbia University from 1931 to 1935, after which he participated in the WPA Federal Art Project initiative. Reinhardt soon became an official member of the newly formed American Abstract Artist group alongside painters such as Josef Albers and Jackson Pollock. He exhibited regularly and taught at Brooklyn College for the remainder of his life.” (publisher’s blurb)
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Fungi of Southeast Queensland
Frances Guard; Sapphire McMullan-Fisher
Caloundra: Queensland Mycological Society, 2021.This laminated fold-out field guide illustrates some of the variety of fungi that are not typical ‘mushroom’ shapes. This is an updated version of Fungi of the Sunshine Coast
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Mushrooms of Southeast Queensland
Frances Guard; Sapphire McMullan-Fisher
Caloundra: Queensland Mycological Society, 2021.This laminated fold-out field guide illustrates 97 ‘mushrooms’ i.e. fleshy fungi with cap, stem and gills, pores or spines, and some fan-shaped gilled fungi. This is an updated version of Mushrooms of the Sunshine Coast.
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tempete apres tempete
Rebekka Deubner
[Gent]: Art Paper Editions, 2021.“I’ve been meeting you through a strip of land, called Fukushima-ken emerging of the Pacific ocean. The scenery I am wandering around is made of water and cells — randomly forming pink-whitish seaweed, shiny epidermis, teeming caves, narrow pupils, raven hair. Shamelessly I’m strolling around the offered pieces of the landscape’s body. Hidden behind my telephoto lens, I am gazeating every detail of it, responding to an urge to feel and seize all the shapes emerging from the still fertile breach of a disaster and its offspring. Keiko, Natsumi, Hayato, Hitoshi, Junka, Hisashi and AsamiIf I am lucky, your defense caves in and I’ll get close, collecting scattered pieces of you and soft gestures — a face revolving — a folding hand — lips opening — a winking eyelid — my pictures become the films stills of a slow sequence shot which wasn’t filmed. Suggesting the missing images from the in-between, calling out to us to fill the gaps while the nocturnal fauna of the sea is swarming through the seaweed, feeding itself on the leftovers of the wave(s).” (publisher’s blurb)
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The Dark Wood
Danielle Mericle
[Los Angeles] and [Melbourne]: The Ice Plant and Perimeter Editions, 2021.“Danielle Mericle’s The Dark Wood explores broad questions of history and our collective ability to document and learn from the past. Through intertwined images of abandoned Greco-Roman casts, an ancient Sequoia forest and the artist’s own texts, Mericle invites us to consider history as a fluid process rather than a static truth. The once highly valued casts — which appear in the book as original and archival photographs — were rejected as worthless copies during the early part of the 20th century, under the belief that they lacked the artistry and aura of the originals, despite the fact that many of the ‘originals’ were in fact Roman copies of Greek artefacts. During the two World Wars, many of these ‘originals’ were damaged or destroyed, and the casts are now considered some of the most authoritative versions available. A Sequoia forest in Northern California offers two important counterpoints. Ancient Sequoia tree rings chart the rise and fall of civilisations over the last 3000 years, including those that created the Greco-Roman artefacts. The tree rings position human history within a broader geological timeframe, lending an adjusted perspective to the human enterprise. The rings also reveal the complex history and shifting perspectives on the significance of fire in the region, with the dissonant histories of expansive logging practices, the conservation movement, Indigenous knowledge, and climate change playing out against the troubled fate of the ancient Sequoias. Though we attempt to understand and preserve our past, the endeavour is subject to inevitable shifts in knowledge, the whims of ideology, and the vagaries of historical truth. With an epilogue that grounds the complex sequence of images in personal elegy, The Dark Wood re-calibrates our sense of scale by allowing us to locate a sense of mourning, loss and the specifics of our own narratives within the broad and unfixed framework of history.” (publisher’s blurb)
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Nudism in a Cold Climate: The Visual Culture of Naturists in Mid-20th-Century Britain
Annebella Pollen
Los Angeles: Atelier Editions, 2021.“Annebella Pollen’s richly illustrated study examines the idiosyncratic phenomenon of social nudism, or naturism, in 20th-century Britain, a place known for its lack of sunshine and conservative attitudes to sex. By bringing naturists’ own words and images to light, Nudism in a Cold Climate tells this little-known but fascinating history for the first time. From the 1930s, thousands of people appeared nude in books and magazines associated with the nudist movement, drawing attention to the cause, attracting public curiosity and inciting moral panics. Naturist nude photography offers a fascinating lens on moral, legal and aesthetic shifts over a century of dramatic social change, including national beliefs about sex and gender, ethnicity and class, pleasure and power. Nudism in a Cold Climate offers readers a fascinating glimpse behind British veils of propriety and a unique view inside an enduring experimental culture that sought to radically challenge, liberate and ultimately transform conventional attitudes to bodies and their representations.” (publisher’s blurb)